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1971 onward · 51 films

Survival

No supernatural element, no killer with a motive. Just terrain, weather and time.

Survival horror strips out the monster. What is left is a situation that will kill the characters if they make one more mistake, and a running time spent watching them make mistakes.

What separates it from a thriller

Tone and outcome. A survival thriller is about competence rewarded. Survival horror is about how thin the margin is, and it frequently declines to reward anything.

The water ones

Open Water (2003) was shot on digital video for around 130,000 dollars, with real sharks and no cages, and is about a couple left behind by a dive boat. Almost nothing happens for an hour, which is the point: the horror is the arithmetic of how long a person floats.

The cave one

The Descent (2005) is the best film in this category and one of the best British horror films full stop. Six women, an uncharted cave system, and a group dynamic that is already poisoned before anything goes wrong. Neil Marshall shot it in a set built in Pinewood rather than a real cave, and it is still unbearable if you dislike enclosed spaces.

The UK and US endings differ. The UK one is correct and the US distributor removed the last ninety seconds.

The trap

These films need characters worth following, because there is no monster to cut away to. A survival horror film with thin characters is ninety minutes of people you do not know being cold.

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The whole shelf

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Sleeve art for 28 Days LaterWATCHcanon

28 Days Later

2002 · UK · 113m

Shot on DV, made them fast, and restarted the whole genre for fifteen years.

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2025 · UK/USA · 115m

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2024 · USA · 85m

A near-wordless survival film in a post-apocalypse where a cult has cut out their own tongues.

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2019 · BR/France · 131m

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2022 · USA · 102m

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2000 · Japan · 113m

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2010 · South Korea · 111m

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2025 · USA · 97m

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1997 · Canada · 90m

Six strangers in a lethal maze of identical rooms, shot on one set for under 400,000 Canadian dollars.

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2009 · Norway · 90m

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1972 · USA · 109m

Not marketed as horror and the founding text of an entire horror subgenre.

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2002 · UK · 100m

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2017 · USA · 103m

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2015 · USA · 94m

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2024 · USA · 110m

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2016 · Australia · 108m

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2019 · ID/South Korea

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1975 · USA · 124m

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2011 · UK · 92m

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1978 · Australia · 92m

A couple with a failing marriage treat a beach with contempt. Nothing supernatural happens.

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1990 · USA · 103m

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2023 · USA · 93m

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2019 · USA · 95m

A bride versus her new in-laws and their family obligation. Very funny and mean.

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2017 · France/BE · 108m

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2004 · USA · 103m

Two men chained in a bathroom, made for 1.2 million dollars in eighteen days, and it is far better than its franchise.

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2011 · Spain/Mexico · 102m

The concierge of a Barcelona apartment block cannot bear that a tenant is happy, so he makes sure she is not.

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2024 · Australia/USA

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2008 · South Korea · 123m

A former detective running an escort agency works out that his missing women all went to the same client.

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2020 · USA · 93m

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1977 · USA · 89m

A nuclear family against a family mutated by nuclear testing. By the end there is no difference in method.

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2020 · USA/Australia · 124m

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2019 · UK/USA · 108m

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2006 · France/RO · 74m

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2007 · USA · 126m

Frank Darabont's third King adaptation, and the ending he changed is one of the cruellest in cinema.

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2019 · Spain · 94m

A vertical prison and a descending table of food. The metaphor is a brick and the film is effective anyway.

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The Vanishing

1988 · France/NL · 103m

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2016 · South Korea · 118m

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1990 · USA · 96m

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Triangle

2009 · UK/Australia · 99m

A yacht, a storm, an ocean liner, and a loop that keeps folding back on a single mother.

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Watcher

2022 · AE/USA · 91m

An American in Bucharest who cannot speak the language and is not being believed. Quietly excellent.

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Wolf Creek

2005 · Australia · 99m

Three backpackers in the Australian outback. The first hour is a holiday film and it is not padding.

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2023 · Australia · 96m

A stranger knocks during a storm at a caravan-park trailer, and neither of the two people is quite what they seem.