You'll Never Find Me
A stranger knocks during a storm at a caravan-park trailer, and neither of the two people is quite what they seem.
486 entries, from the 1931 Universal cycle to last year. Curated, not exhaustive: a short shelf of things worth knowing about beats a long one nobody can navigate.
51 films · page 1 of 2
A stranger knocks during a storm at a caravan-park trailer, and neither of the two people is quite what they seem.
An Indonesian folk horror about a woman who returns to a village that has been waiting for her.
A couple with a failing marriage treat a beach with contempt. Nothing supernatural happens.
A near-wordless survival film in a post-apocalypse where a cult has cut out their own tongues.
A Perth couple abduct a teenage girl, and the film is about the fracture between the two of them.
A Seoul bank worker visits the island she grew up on. Everybody there has been failing one woman for years.
Spanish, a bullied teenager, and a moral problem she is left holding alone.
Bryan Bertino's bleakest film. Two siblings return to the family farm as their father dies and something takes the household apart.
Starts as a kitchen-sink drama about money, ends somewhere else entirely. The turn is brutal.
A woman alone in a farmhouse fends off an alien home invasion, with almost no dialogue in the entire film.
A girl raises a spider that fell from space in a New York apartment block, and it grows.
Opens with eight minutes of real famine footage, then asks its title question literally.
A comet turns most of Los Angeles to dust, and two Valley girls inherit the city.
A French couple terrorised in a house at night, 77 minutes, and it claims to be true.
An American in Bucharest who cannot speak the language and is not being believed. Quietly excellent.
A remote Brazilian village disappears from the map and finds itself hunted for sport. Weird, angry and unclassifiable.
A former detective running an escort agency works out that his missing women all went to the same client.
Two children snowed in with their father's new partner, who has a history with a cult.
Three people stuck on a chairlift. Almost nothing else, and that is enough.
Real sharks, no cages, 130,000 dollars. The horror is arithmetic: how long does a person float?
Reworks the structure with the assault largely off screen, which removes nothing it needs.
The concierge of a Barcelona apartment block cannot bear that a tenant is happy, so he makes sure she is not.
Tourists, a Mayan pyramid and a plant with intent. Nastier than its reputation.
A man spends three years looking for his girlfriend and is finally offered the answer on one condition.
A punk band plays the wrong venue. Jeremy Saulnier does not flinch and neither does the film.
A yacht, a storm, an ocean liner, and a loop that keeps folding back on a single mother.
Three backpackers in the Australian outback. The first hour is a holiday film and it is not padding.
Four men, a Swedish forest, and a creature design worth waiting for.
Nazi zombies in the Norwegian mountains, and it knows exactly how silly it is.
A nuclear family against a family mutated by nuclear testing. By the end there is no difference in method.
A squad on exercise in the Highlands versus werewolves, and it is closer to a war film than to horror.
The monster has rules and the film obeys them. A perfectly built piece of engineering.
Two missionaries, one house, and Hugh Grant enjoying himself enormously as the worst man alive.
A bride versus her new in-laws and their family obligation. Very funny and mean.
Go in knowing nothing. The structure is the point and every synopsis ruins it.
The King novel everyone said was unfilmable. One bed, two handcuffs, and a degloving.