Sissy
An Australian wellness influencer at a hen weekend. Much sharper and much nastier than the premise suggests.
22 films
22 horror films with Australia as a country of origin are catalogued in the ledger, from 1971 to 2025. The busiest decades are 2020s (9), 2000s (5) and 1970s (3). The most common subgenres here are psychological (8), survival (8), extreme / transgressive (4) and possession / demonic (3). The best-documented entries are An American Werewolf in London (1981), The Invisible Man (2020) and Talk to Me (2022).
An Australian wellness influencer at a hen weekend. Much sharper and much nastier than the premise suggests.
A stranger knocks during a storm at a caravan-park trailer, and neither of the two people is quite what they seem.
A couple with a failing marriage treat a beach with contempt. Nothing supernatural happens.
Barely a horror film for an hour. Then there is a shot on a mobile phone people do not forget.
A Perth couple abduct a teenage girl, and the film is about the fracture between the two of them.
A girl raises a spider that fell from space in a New York apartment block, and it grows.
Amicus adapting the EC Comics, with Joan Collins menaced by a killer Santa and Peter Cushing as a wronged dustman.
A Macedonian witch story told as a Malick film, and it is about what it is to be a person.
An Australian teenager says no to a girl for the school dance, and she holds her own dance instead.
Dementia as a house that grows corridors. The last ten minutes are unexpectedly tender.
Vincent Price murders the surgeons who let his wife die, each death based on the plagues of Egypt. A gorgeous, deranged art deco comedy.
A 1977 Halloween talk show broadcast, live, going wrong. David Dastmalchian finally gets a lead.
Tobe Hooper's space-vampire epic, adapted from Colin Wilson, and it is completely insane in the best way.
Angela Carter adapting herself. Nested fairy tales about what adults tell girls about men.
Tourists, a Mayan pyramid and a plant with intent. Nastier than its reputation.
The Philippou brothers' second, and considerably harder to sit through than the first. Sally Hawkins is the reason.
A yacht, a storm, an ocean liner, and a loop that keeps folding back on a single mother.
Three backpackers in the Australian outback. The first hour is a holiday film and it is not padding.
A film about a widowed mother who resents her son, wearing a monster as a coat.
An embalmed hand, a ninety-second rule, and teenagers filming it. The Philippou brothers' first feature.
Reworks Universal's monster into a film about being disbelieved. The empty corners of the frame do the work.
Rick Baker won the first Academy Award for Best Makeup for a transformation that hurts to watch.
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