Dumplings
An ageing actress buys rejuvenating dumplings from a woman in a housing estate. You know what is in them.
486 entries, from the 1931 Universal cycle to last year. Curated, not exhaustive: a short shelf of things worth knowing about beats a long one nobody can navigate.
57 films · page 1 of 2
An ageing actress buys rejuvenating dumplings from a woman in a housing estate. You know what is in them.
Barely a horror film for an hour. Then there is a shot on a mobile phone people do not forget.
Takashi Shimizu, between Grudge films, shot this in eight days about a cameraman who brings something home from the underworld.
A documentary film-maker investigates a demon called Kagutaba and does not come back.
The infection is carried by the English language, and the whole film happens in a radio booth.
Ti West made a 1983 film in 2009, on 16mm, and the first hour is a girl walking around a house alone.
Claire Denis made a vampire film with no vampires, and it was booed at Cannes.
A town becomes obsessed with spirals. Junji Ito adapted before his manga had finished.
Argento's late return to the giallo, with Max von Sydow as a retired detective and a genuine nursery-rhyme killer.
An Australian teenager says no to a girl for the school dance, and she holds her own dance instead.
Shot in a real abandoned asylum, and the building does most of the work.
New French Extremity meets Texas Chain Saw, against the backdrop of a real French election.
A man convinced aliens are infiltrating Earth kidnaps a CEO to torture the truth out of him. Nothing prepares you for where it goes.
A photographer starts finding a figure in his negatives. The reveal about the neck pain is the best in Asian horror.
A French couple terrorised in a house at night, 77 minutes, and it claims to be true.
The best J-horror film and the least seen. About loneliness and the internet, and genuinely despairing.
A lonely young woman decides that if she cannot find a whole person to love, she will assemble one.
No plot to speak of, structured as loops. Either its weakness or the reason it works.
Fifty-four schoolgirls hold hands and step in front of a train in the first three minutes.
Nakata again, and the saddest of the cycle. A custody battle with a damp patch on the ceiling.
The most extreme film on this site. A pregnant woman, her house, and a woman with scissors.
A former detective running an escort agency works out that his missing women all went to the same client.
Stuart Gordon adapting The Shadow over Innsmouth, relocated to a rotting Spanish fishing town.
Miike at his most gleefully unpleasant, and the sickbag handed out at Toronto was a marketing stunt that worked.
Real sharks, no cages, 130,000 dollars. The horror is arithmetic: how long does a person float?
Tourists, a Mayan pyramid and a plant with intent. Nastier than its reputation.
The highest-grossing Korean horror film ever, and it is really a family drama with a haunting in it.
The sequel picks up minutes after the first, sends a SWAT team into the sealed building, and reframes the whole outbreak.
A priest volunteers for a vaccine trial, dies, and comes back needing blood. Park Chan-wook adapting Zola.
A yacht, a storm, an ocean liner, and a loop that keeps folding back on a single mother.
Four interlocking Halloween stories and the best anthology since Creepshow. Warner shelved it for two years.
William Friedkin directing a two-hander in a motel room about shared delusion, and it is not what the trailer sold.
The puberty metaphor made completely explicit, very funny, and unusually well acted.
The film that named New French Extremity in the popular imagination, and its ending is still being argued about.
Rob Zombie's second film, and it turns the killers from his first into the protagonists, which should not work.
Three backpackers in the Australian outback. The first hour is a holiday film and it is not padding.