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A Danish-Jewish folk horror about a dybbuk, a mother, and a relationship the mother will not permit.
486 entries, from the 1931 Universal cycle to last year. Curated, not exhaustive: a short shelf of things worth knowing about beats a long one nobody can navigate.
82 films · page 1 of 3
A Danish-Jewish folk horror about a dybbuk, a mother, and a relationship the mother will not permit.
Made by one family during lockdown for almost nothing, and it looks better than films with fifty times the budget.
An Australian wellness influencer at a hen weekend. Much sharper and much nastier than the premise suggests.
A stranger knocks during a storm at a caravan-park trailer, and neither of the two people is quite what they seem.
A Spanish couple buy a hideous coffee table, and then the worst thing imaginable happens in the first act.
Mexican, and the best pregnancy horror since Rosemary's Baby. The joint-cracking sound design is the thing.
A disgraced livestreamer broadcasts himself alone in a haunted house for the clout, and gets exactly what he deserves.
A group of Black friends at a cabin play a racist board game that traps them, and the whole film is the joke that the Black character always dies first.
A pregnant woman is forced to care for her husband's monstrous, dying, evangelical stepmother.
A lone woman on a Cornish island in 1973, a flower, a standing stone, and time coming apart.
A near-wordless survival film in a post-apocalypse where a cult has cut out their own tongues.
A morgue technician and a grieving mother reinventing Frankenstein without any of the theatrics.
A BBFC examiner during the video nasties panic starts to come apart. Essential viewing for this site specifically.
A slasher shot entirely from behind the killer, at walking pace, with no score. A formal experiment that works.
A Taiwanese found-footage film built around a curse the film itself tries to pass to you.
An Indian-American teenager unleashes a demon from Hindu folklore while trying to assimilate.
Irish, small, and it contains one of the best-constructed scares of the decade. The wooden man.
Ninety minutes of ceilings and corners at 4am. Either the scariest thing you have seen or nothing at all.
Spanish, a bullied teenager, and a moral problem she is left holding alone.
Bryan Bertino's bleakest film. Two siblings return to the family farm as their father dies and something takes the household apart.
A scientist and a guide walk into a forest during a pandemic and find a man, and a spirit, that do not want them to leave.
A woman alone in a farmhouse fends off an alien home invasion, with almost no dialogue in the entire film.
A girl raises a spider that fell from space in a New York apartment block, and it grows.
Taiwanese, and among the most extreme things released this decade. Go in warned.
Argentinian, merciless, and it establishes early that the film will not spare anybody. It means it.
Austrian, based on real 18th-century court records, and about a form of despair almost nobody has filmed.
A Macedonian witch story told as a Malick film, and it is about what it is to be a person.
A Finnish girl raises a monster from an egg, and it is about a mother's Instagram-perfect lie.
Thai-Korean, a documentary crew following a shaman, and the last twenty minutes are relentless.
Shot over lockdown on Zoom in twelve weeks, runs 56 minutes, and is better than it has any right to be.
Dementia as a house that grows corridors. The last ten minutes are unexpectedly tender.
Told out of order in six chapters, shot on 35mm by Giovanni Ribisi. The structure is the whole trick.
An American in Bucharest who cannot speak the language and is not being believed. Quietly excellent.
Brandon Cronenberg working the family seam without embarrassment. The practical effects are appalling in the right way.
Anna Kendrick's directorial debut, about the serial killer who appeared on The Dating Game mid-spree.
Two shamans and two geomancers exhume a cursed grave in Korea, and what is under it is worse than the curse.