Delirium
A Vietnam veteran, a vigilante group and a plot that gives up. Not the Lamberto Bava one.
486 entries, from the 1931 Universal cycle to last year. Curated, not exhaustive: a short shelf of things worth knowing about beats a long one nobody can navigate.
142 films · page 1 of 4
A Vietnam veteran, a vigilante group and a plot that gives up. Not the Lamberto Bava one.
A BBC play about a repressed vicar's son in the English countryside, and it is one of the strangest things ever broadcast.
A Canadian courtroom drama about a real murder. Its presence on the list is inexplicable.
An Australian wellness influencer at a hen weekend. Much sharper and much nastier than the premise suggests.
The only British film on the DPP list. A novelist, a typist and Fiona Richmond in a farmhouse.
Every line is dubbed, including scenes with nobody talking. Almost hypnotically incompetent.
A disgraced puppeteer returns to his childhood home carrying a bag he cannot get rid of.
A painter's nightmares kill people on an off-season island. Genuinely atmospheric and badly underrated.
Millie Perkins is extraordinary in it. A sad film about incest and memory, banned as a gore film.
Three women, a mansion, rain, and a twist. Shot in Oregon and stranger than its reputation.
A stranger knocks during a storm at a caravan-park trailer, and neither of the two people is quite what they seem.
A Spanish couple buy a hideous coffee table, and then the worst thing imaginable happens in the first act.
An asylum where you cannot tell staff from patients. Shot in twelve days in Texas and quite effective.
Michael Ironside stalking a hospital. A real cast, a real budget, and no business being on the list.
Deserters in the English Civil War eat mushrooms and dig for treasure while reality dissolves. Shot in black and white in twelve days.
A woman fresh out of a psychiatric hospital moves to a Connecticut farmhouse, and the film never confirms what is real.
Two friends in a cabin while something rewrites the story around them. Benson and Moorhead's first film.
A pregnant woman is forced to care for her husband's monstrous, dying, evangelical stepmother.
A Mexico City family loses its father and has to work out who now does the hunting.
A man with a flamethrower and a steel room. The mother is the point and the film knows it.
The distributor went to prison over this one. The only DPP case that put a man behind bars.
A lone woman on a Cornish island in 1973, a flower, a standing stone, and time coming apart.
Barely a horror film for an hour. Then there is a shot on a mobile phone people do not forget.
Susan Tyrrell as the aunt, giving a performance far too committed for the film around it.
A caravan holiday across the English Midlands turns into a killing spree, and it is a very bleak comedy about class and resentment.
A BBFC examiner during the video nasties panic starts to come apart. Essential viewing for this site specifically.
Takashi Shimizu, between Grudge films, shot this in eight days about a cameraman who brings something home from the underworld.
A boy in 1950s suburbia suspects the leftovers his parents keep serving are people. Bob Balaban directed.
Swerves three times and mostly earns them. Best watched knowing nothing at all.
An Austrian film about a killer released from prison, shot with a camera rig nobody had used before.
Anita Ekberg as a morphine-addicted nun in a hospital. Nunsploitation with an actual performance in it.
Irish, small, and it contains one of the best-constructed scares of the decade. The wooden man.
The infection is carried by the English language, and the whole film happens in a radio booth.
Ninety minutes of ceilings and corners at 4am. Either the scariest thing you have seen or nothing at all.
Almost no cannibalism. A slaughterhouse worker, a body count and Franco-era Spanish class rage.
A camgirl finds an identical copy of herself has taken over her account and locked her out.