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1974 onward · 61 films

Slasher

A masked man, a holiday, and a group of teenagers with one survivor. The genre's most abused formula.

The slasher is the most formulaic thing in horror and the most commercially reliable. A killer, a set of victims, a sequence of deaths, a final survivor.

Where it comes from

Not from Psycho, whatever people say. It comes from the giallo, and specifically from Bava. Black Christmas (1974) has the killer's-eye camera, the sorority house, the holiday setting and the phone calls, four years before Halloween, and is still the most frightening film in this category.

Carpenter formalises it

Halloween (1978) cost around 300,000 dollars and made 70 million. Its innovations are structural rather than gory: Michael Myers has no motive, no dialogue and no face, and the film contains almost no blood. Carpenter wrote the score himself in three days because the first cut tested badly without one.

The boom and the tedium

Friday the 13th (1980) copied the formula, added Tom Savini's effects, and proved the model worked without any of Carpenter's craft. What followed was five years of holidays: Valentine's Day, prom night, graduation day, April Fool's Day. Most are indefensible on any grounds except affection.

Craven twice

A Nightmare on Elm Street (1984) breaks the format by making the killer supernatural and giving him a personality, which was a mistake the sequels rode into the ground. Scream (1996) restarts it by having the characters know the rules, which worked exactly once and produced a decade of films that mistook referencing for wit.

The final girl

Carol Clover named her in 1992: the survivor, usually the one who does not drink or sleep with anyone, who takes up the weapon at the end. The argument that the slasher is straightforwardly punitive about sex does not survive watching very many of them, but the pattern is real and the films are aware of it by 1996 at the latest.

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The whole shelf

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Sleeve art for A Bay of BloodWATCHknown

A Bay of Blood

1971 · Italy · 84m

The hinge between giallo and slasher. Friday the 13th Part 2 lifts two murders almost shot for shot.

Sleeve art for AbsurdWATCHcult

Absurd

1981 · Italy · 93m

D'Amato remaking his own Anthropophagous as a Halloween knock-off. Grim and dull in equal measure.

Sleeve art for Basket CaseWATCHknown

Basket Case

1982 · USA · 91m

A young man carries his surgically-separated deformed twin in a wicker basket, and they are taking revenge.

Sleeve art for Blood FeastWATCHknown

Blood Feast

1963 · USA · 67m

The first gore film. Shot in four days for 24,500 dollars and it looks it, which is half the appeal.

Sleeve art for Bloody MoonWATCHcult

Bloody Moon

1981 · Germany · 84m

Jess Franco doing a slasher for German money. Contains the stone-saw scene and little else.

Sleeve art for CandymanWATCHknown

Candyman

2021 · USA/Canada · 91m

The shadow-puppet sequences are the best thing in it. A sequel that is actually about the original.

Sleeve art for CandymanWATCHcanon

Candyman

1992 · USA/UK · 99m

Philip Glass wrote the score believing it was an art film. That mistake is why it sounds like nothing else.

Sleeve art for Death TrapWATCHknown

Death Trap

1976 · USA · 91m

Hooper's follow-up to Chain Saw, shot entirely on a sound stage lit in red. A hotel, a scythe and a crocodile.

Sleeve art for DeliriumWATCHdeep cut

Delirium

1979 · USA · 88m

A Vietnam veteran, a vigilante group and a plot that gives up. Not the Lamberto Bava one.

Sleeve art for EvilspeakWATCHcult

Evilspeak

1981 · USA · 89m

Clint Howard, a military academy, a computer and a lot of pigs. Better than it has any right to be.

Sleeve art for High TensionWATCHknown

High Tension

2003 · France · 87m

The film that named New French Extremity in the popular imagination, and its ending is still being argued about.

Sleeve art for In a Violent NatureWATCHcult

In a Violent Nature

2024 · Canada · 94m

A slasher shot entirely from behind the killer, at walking pace, with no score. A formal experiment that works.

Sleeve art for It FollowsWATCHcanon

It Follows

2014 · USA · 100m

One rule, followed exactly. The most frightening use of a wide shot in modern horror.

Sleeve art for MadhouseWATCHcult

Madhouse

1981 · USA/Italy · 93m

A deaf teacher, a disfigured twin and a rottweiler. Shot in Savannah and better made than most of the list.

Sleeve art for ManiacWATCHknown

Maniac

1980 · USA · 88m

Joe Spinell wrote himself the lead and Tom Savini blew his own head off on camera.

Sleeve art for MaXXXineWATCHknown

MaXXXine

2024 · USA · 103m

The weakest of West's trilogy and still a better-shot 1985 Los Angeles than most films manage.

Sleeve art for Nightmare MakerWATCHcult

Nightmare Maker

1981 · USA · 96m

Susan Tyrrell as the aunt, giving a performance far too committed for the film around it.

Sleeve art for OperaWATCHknown

Opera

1987 · Italy/USA · 103m

Argento's last great film, and the needles taped under the eyes are the image of his career.

Sleeve art for PearlWATCHknown

Pearl

2022 · USA · 102m

Technicolor melodrama with a pitchfork. Mia Goth's final monologue is a single unbroken take.

Sleeve art for Perfect BlueWATCHcanon

Perfect Blue

1997 · Japan · 81m

Satoshi Kon's animated thriller about a pop idol losing herself, and Aronofsky bought the remake rights just to reuse a shot.

Sleeve art for PiecesWATCHcult

Pieces

1982 · Spain · 90m

A chainsaw killer on a Boston campus, made by Spaniards, and it is gloriously incoherent.

Sleeve art for Prankscult

Pranks

1982 · USA · 84m

A dorm over Christmas break and a plot that runs out. Notable mainly for an early Daphne Zuniga.

Sleeve art for SissyWATCHobscure

Sissy

2022 · Australia

An Australian wellness influencer at a hen weekend. Much sharper and much nastier than the premise suggests.

Sleeve art for Sleepaway CampWATCHknown

Sleepaway Camp

1983 · USA · 81m

A cheap, badly acted summer camp slasher with an ending that has been argued about for forty years.

Sleeve art for SleeplessWATCHknown

Sleepless

2001 · Italy · 117m

Argento's late return to the giallo, with Max von Sydow as a retired detective and a genuine nursery-rhyme killer.

Sleeve art for Stage FrightWATCHknown

Stage Fright

1987 · Italy · 90m

A killer in a giant owl mask trapped in a theatre with a dance troupe. Michele Soavi's debut and the best late giallo.

Sleeve art for Strange DarlingWATCHknown

Strange Darling

2023 · USA · 96m

Told out of order in six chapters, shot on 35mm by Giovanni Ribisi. The structure is the whole trick.

Sleeve art for TenebraeWATCHknown

Tenebrae

1982 · Italy · 110m

Argento's last great giallo, and the one with the three-minute crane shot up the side of a house.

Sleeve art for Terrifier 3WATCHknown

Terrifier 3

2024 · USA · 125m

Unrated, made for very little, outgrossed studio horror, and the effects are the entire proposition.

Sleeve art for Terror EyesWATCHobscure

Terror Eyes

1981 · USA · 88m

A motorcycle killer in Boston with a kukri. Rachel Ward's debut and a real giallo influence.

Sleeve art for ThanksgivingWATCHknown

Thanksgiving

2023 · USA · 106m

A fake trailer from Grindhouse turned into a real slasher, and it is a very good one.

Sleeve art for The Abominable Dr. Phibesknown

The Abominable Dr. Phibes

1971 · UK/Australia · 94m

Vincent Price murders the surgeons who let his wife die, each death based on the plagues of Egypt. A gorgeous, deranged art deco comedy.

Sleeve art for Theatre of BloodWATCHknown

Theatre of Blood

1973 · UK · 104m

Vincent Price as a hammy actor murdering the critics who denied him an award, each death staged from Shakespeare.

Sleeve art for The BlackeningWATCHcult

The Blackening

2022 · USA · 97m

A group of Black friends at a cabin play a racist board game that traps them, and the whole film is the joke that the Black character always dies first.

Sleeve art for The Boogey ManWATCHcult

The Boogey Man

1980 · USA · 82m

A haunted mirror and a Halloween score Ulli Lommel could not afford to license properly.

Sleeve art for The BurningWATCHknown

The Burning

1981 · Canada/USA · 91m

The best film on the prosecuted list. Savini's raft scene is why it was on it.

Sleeve art for The FunhouseWATCHknown

The Funhouse

1981 · USA · 96m

Hooper on a real budget with Rick Baker's monster. Nowhere near nasty enough to be on this list.

Sleeve art for The Loved OnesWATCHknown

The Loved Ones

2009 · France/Australia · 84m

An Australian teenager says no to a girl for the school dance, and she holds her own dance instead.

Sleeve art for The SlayerWATCHobscure

The Slayer

1982 · USA · 90m

A painter's nightmares kill people on an off-season island. Genuinely atmospheric and badly underrated.

Sleeve art for The Toolbox MurdersWATCHcult

The Toolbox Murders

1978 · USA · 93m

The first fifteen minutes are notorious. The remaining seventy are a different and much duller film.

Sleeve art for TorsoWATCHknown

Torso

1973 · Italy · 89m

The giallo at its most slasher-like, and the last act is a genuine masterclass in silent suspense.

Sleeve art for TrapWATCHcanon

Trap

2024 · USA · 106m

Shyamalan's high-concept swing: a serial killer takes his daughter to a pop concert that is a police trap for him.

Sleeve art for Trick 'r TreatWATCHknown

Trick 'r Treat

2007 · USA/Canada · 82m

Four interlocking Halloween stories and the best anthology since Creepshow. Warner shelved it for two years.

Sleeve art for UnhingedWATCHobscure

Unhinged

1982 · USA · 79m

Three women, a mansion, rain, and a twist. Shot in Oregon and stranger than its reputation.

Sleeve art for UsWATCHcanon

Us

2019 · USA · 116m

The premise does not survive scrutiny and the film is so well made you will not care until afterwards.

Sleeve art for Visiting HoursWATCHcult

Visiting Hours

1982 · Canada

Michael Ironside stalking a hospital. A real cast, a real budget, and no business being on the list.

Sleeve art for Woman of the HourWATCHknown

Woman of the Hour

2023 · USA · 94m

Anna Kendrick's directorial debut, about the serial killer who appeared on The Dating Game mid-spree.

Sleeve art for Wrong TurnWATCHcanon

Wrong Turn

2003 · Canada/Germany · 84m

Competent, well shot, and exactly what it says. Stan Winston did the mutants.