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1963 onward · 47 films

Cosmic Horror

The universe is indifferent and much larger than you. Lovecraft's, and mostly unfilmable.

Cosmic horror argues that the universe is vast, old, indifferent, and that understanding any part of it correctly would destroy you. The monster is not hostile. You are not important enough for it to be hostile.

The Lovecraft problem

H.P. Lovecraft wrote the template and is very hard to film. His method is to withhold, to describe things as indescribable, and to have narrators go mad rather than report. Cinema shows things. The moment the entity is on screen it has a size and a texture and it is no longer beyond comprehension.

Lovecraft's racism is not incidental and not a matter of being of his time; it was extreme by the standards of his own correspondents, and a good deal of the horror in the stories is straightforwardly about immigration and miscegenation. Adaptations generally drop it, which is why they often feel structurally hollow.

The films that work

The Thing (1982) is the best Lovecraft adaptation ever made and is not adapted from Lovecraft. The creature has no plan, no communication and no interest in the men beyond replication, and the film never explains it.

Fulci's The Beyond (1981) has almost no coherent plot, which several critics have argued is the point: it is structured like a nightmare, the geography does not resolve, and the ending is one of the bleakest in the genre.

Carpenter called The Thing, Prince of Darkness and In the Mouth of Madness his Apocalypse Trilogy. All three end with the world lost.

The modern strand

Annihilation (2018) and Color Out of Space (2019) both take the same source idea, a zone where physics and biology stop behaving, and both are more interested in beauty than in dread. Annihilation is the better film and its final twenty minutes are the closest cinema has come to the thing Lovecraft was describing.

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The whole shelf

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Sleeve art for AlienWATCHcanon

Alien

1979 · USA/UK · 117m

A haunted house film in space, and the crew are contractors arguing about bonuses.

Sleeve art for As Above, So BelowWATCHknown

As Above, So Below

2014 · USA · 93m

A descent into the Paris catacombs that becomes a descent into hell, shot for real under the city.

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Bacurau

2019 · BR/France · 131m

A remote Brazilian village disappears from the map and finds itself hunted for sport. Weird, angry and unclassifiable.

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Coherence

2013 · USA · 87m

A dinner party the night a comet passes, and reality starts to fork. Shot in one house in five nights.

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Dagon

2001 · Spain · 95m

Stuart Gordon adapting The Shadow over Innsmouth, relocated to a rotting Spanish fishing town.

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Event Horizon

1997 · UK/USA · 92m

A haunted house film in space, hated on release, and the studio destroyed roughly thirty minutes of it.

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From Beyond

1986 · USA/Italy · 85m

Stuart Gordon and Jeffrey Combs reunite after Re-Animator for a Lovecraft story about a machine that reveals what is always there.

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Godzilla

1954 · Japan · 100m

A serious film about the atomic bomb with a man in a suit in it, and the American recut removed most of what mattered.

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Godzilla Minus One

2023 · Japan/USA · 124m

Seventy years on, the series returns to what it was for: the war, the guilt, and the cost.

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Inferno

1980 · Italy · 107m

The Suspiria sequel. Less coherent, more beautiful, and has the best underwater sequence Argento shot.

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In the Earth

2021 · UK/USA · 107m

A scientist and a guide walk into a forest during a pandemic and find a man, and a spirit, that do not want them to leave.

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I Saw the TV Glow

2024 · USA · 100m

Barely a horror film and one of the most upsetting things on this site. About a life not lived.

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Jacob's Ladder

1990 · USA · 108m

A Vietnam veteran in New York whose reality will not stay put, and the demons move wrong on purpose.

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Kairo

2001 · Japan · 114m

The best J-horror film and the least seen. About loneliness and the internet, and genuinely despairing.

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Lifeforce

1985 · UK/Australia · 116m

Tobe Hooper's space-vampire epic, adapted from Colin Wilson, and it is completely insane in the best way.

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Mandy

2018 · USA/BE · 121m

Nicolas Cage, a chainsaw duel and Jóhann Jóhannsson's last score. Not for everyone and not trying to be.

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Marebito

2004 · Japan · 92m

Takashi Shimizu, between Grudge films, shot this in eight days about a cameraman who brings something home from the underworld.

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Messiah of Evil

1973 · USA

A California coastal town waiting for a blood moon, made by the writers of American Graffiti, and it looks like nothing else.

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Nope

2022 · USA/Japan · 130m

Peele's best-looking film. About spectacle, and about what happens to the people who handle the animals.

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Phantasm

1979 · USA · 88m

A tall undertaker, a flying silver sphere, and a film that runs entirely on dream logic. Don Coscarelli was 23.

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Prince of Darkness

1987 · USA · 102m

The second of Carpenter's Apocalypse Trilogy, and it is quantum physics as a book of the dead.

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Q: The Winged Serpent

1982 · USA · 93m

An Aztec god nests atop the Chrysler Building and eats sunbathers, and Michael Moriarty is extraordinary.

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Re-Animator

1985 · USA · 104m

The funniest Lovecraft adaptation ever made, which is not what anybody expected.

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Resolution

2012 · USA · 93m

Two friends in a cabin while something rewrites the story around them. Benson and Moorhead's first film.

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Save the Green Planet!

2003 · South Korea · 117m

A man convinced aliens are infiltrating Earth kidnaps a CEO to torture the truth out of him. Nothing prepares you for where it goes.

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Spring

2014 · USA · 109m

A love story that happens to involve an immortal woman whose body is not stable. Benson and Moorhead again.

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The Dead Zone

1983 · USA · 100m

Cronenberg's most restrained film, and Christopher Walken plays a man who can see how it ends.

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The Empty Man

2020 · USA/ZA · 137m

Dumped by the studio with no marketing, runs 137 minutes, and has a 20-minute prologue people rave about.

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The Endless

2017 · USA

Two brothers return to the UFO death cult they escaped, and time is looping in the hills.

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The Lighthouse

2019 · USA/Canada · 109m

Shot on black and white 35mm in a 1.19:1 box. Two men, a rock, and a great deal of drinking.

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The Mist

2007 · USA · 126m

Frank Darabont's third King adaptation, and the ending he changed is one of the cruellest in cinema.

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The Stuff

1985 · USA · 93m

A white dessert oozing from the ground becomes a national craze, and it is eating the people who eat it.

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The Untamed

2016 · Mexico · 100m

A Mexican film in which a creature from a crashed meteorite provides pleasure and death in equal measure.

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The Vast of Night

2019 · USA · 91m

A radio DJ and a switchboard operator in 1950s New Mexico chase a signal across one night. Shot for almost nothing.

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The Void

2016 · Canada · 90m

Practical effects made on Kickstarter money, doing an unembarrassed Carpenter impression.

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They Live

1988 · USA · 94m

Carpenter's angriest film, disguised as a B-movie, about sunglasses that let you see the ads underneath everything.

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Uzumaki

2000 · Japan · 90m

A town becomes obsessed with spirals. Junji Ito adapted before his manga had finished.