- Director
- Paul W. S. Anderson
- Year
- 1997
- Country
- UK, USA
- Runtime
- 92 min
Also released as
- The Stars My Destination
- Puerta al infierno
Filed under
Event Horizon
A haunted house film in space, hated on release, and the studio destroyed roughly thirty minutes of it.
A rescue crew boards a ship that vanished seven years earlier and has returned. Its gravity drive folded space by opening a gate somewhere else.
Paul W.S. Anderson delivered a much longer and considerably more extreme cut. Paramount, panicked by test screenings, forced it to under 100 minutes in about a month, and the removed footage was never properly archived. Searches for it have failed repeatedly.
What survives is a film with a great production design, a disturbing central idea, and a last act that is visibly missing connective tissue.
The video log is the sequence everybody remembers, and it is a few seconds long.
It flopped, was reviewed with contempt, and has become one of the most reassessed films of the decade. The Warhammer 40,000 comparison is made constantly and is fair.
The numbers
Nobody has rated this yet. Be the first to make a claim you will have to defend.
Your call
Trailer
The sleeves
The same film, sold as a different film in each territory. Click any of them.
Where to watch
Australia
Canada
Germany
Finland
UK
USA
Legal sources only. Availability data from JustWatch via TMDB.
Checked 9 Aug 2026
Discuss with AI
Open a chatbot with a question about this already typed out. Useful for a second opinion, a plot detail, or working out which cut you are holding.
Adjacent
Possum
A disgraced puppeteer returns to his childhood home carrying a bag he cannot get rid of.
Huesera: The Bone Woman
Mexican, and the best pregnancy horror since Rosemary's Baby. The joint-cracking sound design is the thing.
Goke, Body Snatcher from Hell
A plane crash, an alien blob, and the single most striking red sky in Japanese genre film. Tarantino borrowed it.
Resolution
Two friends in a cabin while something rewrites the story around them. Benson and Moorhead's first film.
Messiah of Evil
A California coastal town waiting for a blood moon, made by the writers of American Graffiti, and it looks like nothing else.
Night of the Bloody Apes
A luchadora, a heart transplant from a gorilla, and real open-heart surgery footage spliced in.