Skip to content
goreledger
Director
Ridley Scott
Year
1979
Country
USA, UK
Runtime
117 min

Also released as

  • Alien: The Director's Cut
  • Alien, el 8º pasajero
  • Alien - den åttonde passageraren
  • Alien, o Oitavo Passageiro
  • Alien, le 8ème passager
  • Alien 1
  • Alien: Das unheimliche Wesen aus einer fremden Welt
  • 異形
  • Obcy
  • Obcy: 8 Pasażer Nostromo
  • Alien: O 8º Passageiro
  • 异形1
  • Alien : Le 8e Passager
  • Tulnukas
  • Alien - kahdeksas matkustaja
  • بیگانه ۱
  • Nyolcadik utas: a Halál
  • エイリアン:1979
  • Quái Vật Không Gian
  • Alien - den 8. passasjer
  • Star Beast
  • Yadplanetli
  • エイリアン
  • Alien I Directors Cut
  • Obcy – ósmy pasażer Nostromo
  • Obcy 8. pasażer "Nostromo"
  • มฤตยูนอกโลก
  • Alien - Das unheimliche Wesen aus einer fremden Welt - Director's Cut

Alien

Alien is a 1979 American and British creature feature directed by Ridley Scott.

A haunted house film in space, and the crew are contractors arguing about bonuses.

goreledger editorial rating: 10/10 · Read the review

Sign in to track what you have survived.

A commercial towing vessel is diverted to answer a signal. The film's first act is an industrial workplace: people who have not been paid properly, a captain who is not respected, and a company that has already made a decision about them.

Giger's design is why it endures. The creature is biomechanical, sexually explicit in ways the studio did not fully register, and shot in fragments, wet and in shadow, so it is never fully legible.

The chestburster was staged with the cast largely unaware of the detail. Veronica Cartwright's reaction is real, and she was hit with blood she was not expecting.

Ridley Scott shot it on stages at Shepperton with a budget that ran out, which is why the last act is a series of corridors.

Ripley was written without gender specified. Casting Weaver, then unknown, is the single most consequential decision in the film.

Goreledger editorial rating

10 / 10

A haunted house in space staffed by contractors arguing about pay, which is why it feels lived in. Giger's biomechanical creature, shot in fragments and never fully legible, is the reason it endures.

Our opinion, not an average. How we rate

Goreledger editorial profile

goreledger editorial profile for AlienEditorial character scores, 1 to 10, describing the film rather than rating it: Dread 9 out of 10, Gore 6 out of 10, Atmosphere 10 out of 10, Rewatch 9 out of 10, Disturb 6 out of 10.Dread9/10Gore6/10Atmosphere10/10Rewatch9/10Disturb6/10

Describes the film, not its quality: high gore means very gory.

Rate this film

No ratings yet. Score it on the five axes and yours will be the first.

Sign in to rate this and add it to your shelf.

Trailer

The sleeves

The same film, sold as a different film in each territory. Click any of them.

poster
PT · poster
FR · poster
ES · poster
ZH · poster
TR · poster
PT · poster

Where to watch

Discuss with AI

Open a chatbot with a question about this already typed out. Useful for a second opinion, a plot detail, or working out which cut you are holding.

Adjacent

Sleeve art for The ThingWATCHcanon

The Thing

1982 · USA/Canada · 109m

Flopped, was called empty and disgusting, and is now the most imitated horror film of its decade.

Goreledger 10/10
Sleeve art for ContaminationWATCHcult

Contamination

1980 · Italy · 95m

An Alien knock-off with exploding chests and a Goblin score doing heavy lifting throughout.

Sleeve art for Q: The Winged SerpentWATCHcult

Q: The Winged Serpent

1982 · USA · 93m

An Aztec god nests atop the Chrysler Building and eats sunbathers, and Michael Moriarty is extraordinary.

Sleeve art for XtroWATCHcult

Xtro

1983 · UK · 81m

A British alien-abduction film so incoherent and disturbing it has never been fully explained, by anyone, including its director.

Sleeve art for CloverfieldWATCHcanon

Cloverfield

2008 · USA · 85m

A monster attacks New York, filmed on a camcorder from street level, and the marketing invented a genre of mystery.

Sleeve art for EraserheadWATCHcanon

Eraserhead

1977 · USA · 89m

Five years of weekend shooting, and it is about being a father and being terrified of it.