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1944 onward · 46 films

Haunted House

A building with an opinion. The purest test of whether a director can do restraint.

The haunted house is the most reliable structure in horror and the hardest to do well, because the entire genre depends on withholding, and withholding is the one thing a nervous producer will not allow.

The rule

Robert Wise's The Haunting (1963) shows you nothing. A door bulges. Something enormous walks the corridor and is never identified. The film is frightening in inverse proportion to what appears on screen, and the 1999 remake proves the point by rendering everything in CGI and frightening nobody.

What the house is for

Almost every good example is about a woman with no money and nowhere else to go. Eleanor in The Haunting has spent eleven years nursing her mother. The house offers her belonging, which is the actual horror. The building is rarely just a building; it is usually the only place the protagonist has been welcome.

The slow ones

The Changeling (1980) is a widower, an empty mansion and a wheelchair coming down the stairs, and it is one of the most effective horror films ever made in Canada. The Others (2001) does the same job with a twist that survives a second viewing.

The loud ones

The Amityville Horror (1979) is not good, made an enormous amount of money, and set the template for the modern haunting film: a family, a mortgage, and a house that wants them out. James Wan rebuilt the whole industry on it in the 2010s. The jump scares are efficient and the films are interchangeable.

What to look for

Watch the geography. In a good haunted house film you can draw the floor plan by the end. In a bad one the rooms exist only where a scare is needed.

Discuss with AI

Open a chatbot with a question about this already typed out. Useful for a second opinion, a plot detail, or working out which cut you are holding.

The whole shelf

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Sleeve art for 1408WATCHcanon

1408

2007 · USA/UK · 106m

John Cusack alone in a hotel room for most of the running time, and it is the best single-location King film.

Sleeve art for BarbarianWATCHcanon

Barbarian

2022 · USA · 102m

Go in knowing nothing. The structure is the point and every synopsis ruins it.

Sleeve art for Burnt OfferingsWATCHknown

Burnt Offerings

1976 · USA · 116m

A family rents a summer house that heals itself by consuming them. Karen Black, Oliver Reed and Bette Davis.

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Carnival of Souls

1962 · USA · 84m

Made for 33,000 dollars by an industrial film-maker in Kansas, and it looks like a dream somebody had.

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Crimson Peak

2015 · USA/Canada · 119m

Del Toro doing full gothic romance. The house is the best thing in it and it is sinking.

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Dark Water

2002 · Japan · 101m

Nakata again, and the saddest of the cycle. A custody battle with a damp patch on the ceiling.

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Deadstream

2022 · USA · 87m

A disgraced livestreamer broadcasts himself alone in a haunted house for the clout, and gets exactly what he deserves.

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Doctor Sleep

2019 · USA · 152m

Reconciles King's novel with Kubrick's film, which should not have been possible.

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Hell House LLC

2015 · USA · 93m

A team building a Halloween haunted attraction in a real abandoned hotel, and the footage is all that is left.

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His House

2020 · UK/USA · 93m

A South Sudanese couple in British asylum housing. The haunting and the bureaucracy are the same thing.

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House

1977 · Japan · 88m

Toho asked their ad director what would scare children. He asked his eleven-year-old daughter and filmed her answers.

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Insidious

2010 · USA/Canada · 102m

Wan's best jump scares and the film that built the modern haunting industry. The Further is silly and it works.

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Oculus

2013 · USA · 104m

A haunted mirror, and a sister trying to prove it killed her parents by filming it destroying her too.

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Oddity

2024 · Ireland · 98m

Irish, small, and it contains one of the best-constructed scares of the decade. The wooden man.

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Poltergeist

1982 · USA · 110m

A suburban family, a television, and a chair-stacking sequence that has never stopped being copied.

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Presence

2024 · USA · 85m

Soderbergh shoots the entire film from the ghost's point of view, handheld, in long takes. It works.

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Relic

2020 · Australia/USA · 89m

Dementia as a house that grows corridors. The last ten minutes are unexpectedly tender.

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Session 9

2001 · USA · 97m

Shot in a real abandoned asylum, and the building does most of the work.

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Terrified

2017 · AR · 87m

Argentinian, and it front-loads three of the best scares of the decade in the first twenty minutes.

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The Babadook

2014 · Australia/Canada · 94m

A film about a widowed mother who resents her son, wearing a monster as a coat.

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The Boogey Man

1980 · USA · 82m

A haunted mirror and a Halloween score Ulli Lommel could not afford to license properly.

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The Conjuring

2013 · USA · 112m

Old-fashioned, extremely well made, and the reason there are now nine of these.

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The Devil's Backbone

2001 · Spain/Mexico · 106m

Del Toro's other Spanish Civil War film, and he has called it the companion to Pan's Labyrinth.

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The Entity

1982 · USA · 125m

A woman is repeatedly assaulted by an invisible entity, and the film sides with her against the psychiatrists.

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The Fog

1980 · USA · 90m

Carpenter's follow-up to Halloween: a Californian coastal town, a hundredth anniversary, and something owed.

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The Innkeepers

2011 · USA · 101m

Ti West's other 1970s-feeling film, about two clerks working the last weekend of a haunted hotel.

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The Innocents

1961 · UK · 100m

The Turn of the Screw done perfectly, and it never once tells you whether the ghosts are real.

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The Old Dark House

1932 · USA · 70m

James Whale between the two Frankensteins, having a wonderful time, and Karloff is the least of it.

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The Orphanage

2007 · Spain/Mexico · 101m

Produced by del Toro, and it is a film about a mother rather than a house.

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The Shining

1980 · UK/USA · 144m

King hated it. Everyone else was right. The geography of the hotel is deliberately impossible.

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The Sixth Sense

1999 · USA · 107m

The twist made it famous and the film does not need it. It is about a boy nobody believes and a marriage that ended.

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Under the Shadow

2016 · UK/JO · 84m

Tehran during the War of the Cities, a djinn, and a mother the state has already stripped of options.

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Verónica

2017 · Spain · 105m

A Madrid teenager holds a séance during a solar eclipse and brings something home. Loosely based on a real police file.