Forest of Fear
Marijuana growers, a herbicide and some very slow zombies. On the list by accident of title.
486 entries, from the 1931 Universal cycle to last year. Curated, not exhaustive: a short shelf of things worth knowing about beats a long one nobody can navigate.
34 films
Marijuana growers, a herbicide and some very slow zombies. On the list by accident of title.
A California coastal town waiting for a blood moon, made by the writers of American Graffiti, and it looks like nothing else.
Vietnam veterans come home with a bite that spreads. A better idea than the film delivers.
The infection is carried by the English language, and the whole film happens in a radio booth.
Bruno Mattei splicing stock documentary footage into a zombie film and hoping nobody notices.
Amicus adapting the EC Comics, with Joan Collins menaced by a killer Santa and Peter Cushing as a wronged dustman.
Hammer's only zombie film, set in a Cornish village, and it beat Romero to the mass grave by two years.
Taiwanese, and among the most extreme things released this decade. Go in warned.
The last great Italian horror film, and it is a romantic comedy about a man who shoots the dead for a living.
A comet turns most of Los Angeles to dust, and two Valley girls inherit the city.
Zombies caused by an agricultural radiation device, shot in the Lake District. Much better than it sounds.
Eerie, well made, and completely undeserving of the list. Stan Winston's effects.
Sit through the rough first 37 minutes. That instruction is the whole review and it is worth obeying.
Cronenberg's second feature, with an experimental skin graft, a stinger in an armpit, and a plague across Montreal.
Lamberto Bava, produced by Argento, and it is a film about a cinema audience being turned into monsters inside the cinema.
A priest hangs himself and opens a gate. Fulci at his least coherent and most upsetting.
Wes Craven in Haiti, adapting a real ethnobotanist's account of the drug behind zombie folklore.
The sequel picks up minutes after the first, sends a SWAT team into the sealed building, and reframes the whole outbreak.
Jane Eyre relocated to a Caribbean sugar plantation, and it is the most beautiful film in this category.
Almost no coherent plot and that is the argument for it. One of the bleakest endings in the genre.
Makes them fast and talkative. Easily the funniest film in this category, and a bleak ending under the jokes.
The first zombie film, made independently, with Lugosi controlling the dead on a Haitian sugar plantation.
A zombie fights a shark. There is also an eye and a splinter. Fulci's most purely entertaining film.
Romero and King doing EC Comics, with panel borders, primary lighting and a story about a cake.
Nazi zombies in the Norwegian mountains, and it knows exactly how silly it is.
King wrote the novel and thought it too bleak to publish. The film keeps the bleakness.
The bloodiest film ever made at the time, and it is a comedy about a man and his mother.
The bleakest of Romero's trilogy, hated on release, and Tom Savini's best work.
A Barcelona apartment block, a news crew, and eighty minutes with no let-up.
The best zombie film ever made, set in a shopping mall, and much funnier than people remember.
Boyle and Garland back together, shot largely on iPhones rigged in arrays. Stranger than the sequel anybody expected.
Shot on DV, made them fast, and restarted the whole genre for fifteen years.
Invented the modern zombie, lost its own copyright, and has one of the bleakest endings ever filmed.
The best zombie film since Romero, and the only one that makes you cry.