- Director
- George A. Romero
- Year
- 1978
- Country
- USA, Italy
- Runtime
- 126 min
Also released as
- Zombies: Dawn of the Dead
- The Zombies
- Zombi
- El amanecer de los muertos
- El amanecer de los muertos vivientes
- Zombi: El regreso de los muertos vivientes
- Zombie 1 - Le crépuscule des morts-vivants
- Madrugada dos Mortos
- Zombi: El amanecer de los muertos vivientes
- Zombie
- ゾンビ
- Zombie - O Despertar dos Mortos
- Livinga Mrta Ke Dona
- Zombies im Kaufhaus
- Zombie - Dawn of the Dead
- Zombie 1 - Dawn of the Dead
- In de Greep van de Zombies
- Zombie - Le Crépuscule des morts-vivants
- Zombie, el crepúsculo de los muertos vivientes
- ซอมบี้ คนกัดคน
- Zombi One: Dawn of the Dead
- Ölülərin Şəfəqi
- Dawn of the Living Dead
- Zombi: L'alba dei Morti Viventi
Filed under
Dawn of the Dead
The best zombie film ever made, set in a shopping mall, and much funnier than people remember.
Romero shot in the Monroeville Mall in Pennsylvania overnight, between closing and opening, over four months. The mall let him because nobody thought the film would be seen.
Its reputation as satire is deserved but oversold. It is a satire for about twenty minutes; the rest of the time it is four people building a functional life in a shopping centre, which is the part that makes the ending work.
Savini's effects look crude in high definition and were astonishing in 1978. He was in Vietnam as a combat photographer and has said plainly where the reference came from.
Two versions worth knowing about. Romero's US cut runs 127 minutes. The European cut, supervised by Argento with a wall-to-wall Goblin score, runs 119 and is tighter and considerably meaner. They are different films and both are worth an evening.
The numbers
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Trailer
The sleeves
The same film, sold as a different film in each territory. Click any of them.
Where to watch
Germany
UK
Legal sources only. Availability data from JustWatch via TMDB.
Checked 9 Aug 2026
Written about
- Tom Savini
The combat photographer who came home from Vietnam and spent thirty years putting what he saw on screen.
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