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Editorial · 6 films

The practical effects shelf

Latex, foam, air bladders and karo syrup. The argument is not nostalgia, it is that the light falls on it correctly.

  1. Sleeve art for The Thing
    The Thing

    1982 · John Carpenter · USA/Canada · 109m

    Rob Bottin was 22, effectively lived at the studio for a year, and was hospitalised before it wrapped.

  2. Sleeve art for An American Werewolf in London
    An American Werewolf in London

    1981 · John Landis · UK/USA · 97m

    Rick Baker won the first Academy Award ever given for makeup.

  3. Sleeve art for The Fly
    The Fly

    1986 · David Cronenberg · USA/Canada · 92m

    Chris Walas, and a design that degrades convincingly across five stages.

  4. Sleeve art for Dawn of the Dead
    Dawn of the Dead

    1978 · George A. Romero · USA/Italy · 126m

    Savini, four months of overnight shoots, and blood mixed for a film stock nobody uses now.

  5. Sleeve art for Tetsuo: The Iron Man
    Tetsuo: The Iron Man

    1989 · Shinya Tsukamoto · Japan · 67m

    Stop motion, scrap metal and eighteen months. Nothing else looks like it.

  6. Sleeve art for The Howling
    The Howling

    1981 · Joe Dante · USA · 91m

    Bottin again, months before American Werewolf, and the two of them finished the subgenre between them.

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