At Midnight I'll Take Your Soul
Brazil's first horror film, made by a man who invented himself as a character and played him for fifty years.
486 entries, from the 1931 Universal cycle to last year. Curated, not exhaustive: a short shelf of things worth knowing about beats a long one nobody can navigate.
486 films · page 2 of 14
Brazil's first horror film, made by a man who invented himself as a character and played him for fifty years.
Cannibals who look like they were recruited outside the catering truck. Almost impressively bad.
A disgraced livestreamer broadcasts himself alone in a haunted house for the clout, and gets exactly what he deserves.
A plane crash, an alien blob, and the single most striking red sky in Japanese genre film. Tarantino borrowed it.
An Indonesian folk horror about a woman who returns to a village that has been waiting for her.
A woman fresh out of a psychiatric hospital moves to a Connecticut farmhouse, and the film never confirms what is real.
A couple with a failing marriage treat a beach with contempt. Nothing supernatural happens.
The film that started the nazisploitation cycle. Lee Frost, a backlot, and no defence available.
A California coastal town waiting for a blood moon, made by the writers of American Graffiti, and it looks like nothing else.
A dorm over Christmas break and a plot that runs out. Notable mainly for an early Daphne Zuniga.
Two friends in a cabin while something rewrites the story around them. Benson and Moorhead's first film.
Notorious in Britain almost entirely for its poster. The film is inert.
A group of Black friends at a cabin play a racist board game that traps them, and the whole film is the joke that the Black character always dies first.
A pregnant woman is forced to care for her husband's monstrous, dying, evangelical stepmother.
Paul Naschy in the Himalayas. On the list almost certainly because somebody read the title and stopped.
A Mexico City family loses its father and has to work out who now does the hunting.
A grieving mother and an occultist doing a months-long ritual properly. The tedium is deliberate.
Franco at his most indifferent. Ninety minutes of jungle and a monster with bulging eyes.
A man with a flamethrower and a steel room. The mother is the point and the film knows it.
The distributor went to prison over this one. The only DPP case that put a man behind bars.
A luchadora, a heart transplant from a gorilla, and real open-heart surgery footage spliced in.
A love story that happens to involve an immortal woman whose body is not stable. Benson and Moorhead again.
Vietnam veterans come home with a bite that spreads. A better idea than the film delivers.
The first Italian cannibal film. A Man Called Horse relocated to Thailand with mondo bolted on.
An ageing actress buys rejuvenating dumplings from a woman in a housing estate. You know what is in them.
A lone woman on a Cornish island in 1973, a flower, a standing stone, and time coming apart.
Barely a horror film for an hour. Then there is a shot on a mobile phone people do not forget.
Susan Tyrrell as the aunt, giving a performance far too committed for the film around it.
A caravan holiday across the English Midlands turns into a killing spree, and it is a very bleak comedy about class and resentment.
Practical effects made on Kickstarter money, doing an unembarrassed Carpenter impression.
A near-wordless survival film in a post-apocalypse where a cult has cut out their own tongues.
A morgue technician and a grieving mother reinventing Frankenstein without any of the theatrics.
A BBFC examiner during the video nasties panic starts to come apart. Essential viewing for this site specifically.
Descendants of collapsed tunnel workers living under Russell Square, and Donald Pleasence steals it.
A web-streaming crew live-broadcast from a real abandoned Korean hospital for the views.
A Perth couple abduct a teenage girl, and the film is about the fracture between the two of them.