Delirium
A Vietnam veteran, a vigilante group and a plot that gives up. Not the Lamberto Bava one.
486 entries, from the 1931 Universal cycle to last year. Curated, not exhaustive: a short shelf of things worth knowing about beats a long one nobody can navigate.
486 films · page 1 of 14
A Vietnam veteran, a vigilante group and a plot that gives up. Not the Lamberto Bava one.
A BBC play about a repressed vicar's son in the English countryside, and it is one of the strangest things ever broadcast.
A Danish-Jewish folk horror about a dybbuk, a mother, and a relationship the mother will not permit.
Andy Milligan shooting in Staten Island with a hand-held Auricon. An acquired taste nobody acquires.
Shot in Utah for 100,000 dollars with a score that never stops. Beloved by a small and stubborn group.
Made by one family during lockdown for almost nothing, and it looks better than films with fifty times the budget.
A Canadian courtroom drama about a real murder. Its presence on the list is inexplicable.
Bigfoot tears a man's genitals off. That is the scene, that is the film, that is why it was prosecuted.
An Australian wellness influencer at a hen weekend. Much sharper and much nastier than the premise suggests.
Cursed cave dwellers from 12,000 BC eating people in modern Los Angeles. Incoherent throughout.
The only British film on the DPP list. A novelist, a typist and Fiona Richmond in a farmhouse.
A home invasion built entirely on racial abuse. Genuinely hard to watch and not for craft reasons.
Every line is dubbed, including scenes with nobody talking. Almost hypnotically incompetent.
An Aztec-obsessed killer in New Orleans. A Blood Feast remake in all but name, and slower.
A disgraced puppeteer returns to his childhood home carrying a bag he cannot get rid of.
Roughly 40 percent flashback to the first film. A sequel assembled rather than made.
A painter's nightmares kill people on an off-season island. Genuinely atmospheric and badly underrated.
Millie Perkins is extraordinary in it. A sad film about incest and memory, banned as a gore film.
Three women, a mansion, rain, and a twist. Shot in Oregon and stranger than its reputation.
Franco women-in-prison, made fast and cheap. On the list for the category rather than the content.
A stranger knocks during a storm at a caravan-park trailer, and neither of the two people is quite what they seem.
68 minutes, shot in nine days, and oddly melancholy for something on a banned list.
Marijuana growers, a herbicide and some very slow zombies. On the list by accident of title.
A team building a Halloween haunted attraction in a real abandoned hotel, and the footage is all that is left.
A motorcycle killer in Boston with a kukri. Rachel Ward's debut and a real giallo influence.
A Spanish couple buy a hideous coffee table, and then the worst thing imaginable happens in the first act.
An asylum where you cannot tell staff from patients. Shot in twelve days in Texas and quite effective.
Clint Howard, a military academy, a computer and a lot of pigs. Better than it has any right to be.
Mexican, and the best pregnancy horror since Rosemary's Baby. The joint-cracking sound design is the thing.
A women-in-prison film with a brainwashing subplot. Linda Haynes deserved better material.
Mastorakis watched Texas Chain Saw, counted the perversions and wrote a list. It shows.
A student's guilt drags everyone he knows into a Buddhist hell, and the last third is that hell in detail.
A deaf teacher, a disfigured twin and a rottweiler. Shot in Savannah and better made than most of the list.
Children orphaned by the Mexican drug war, three wishes, and the dead following them through the streets.
Michael Ironside stalking a hospital. A real cast, a real budget, and no business being on the list.
Deserters in the English Civil War eat mushrooms and dig for treasure while reality dissolves. Shot in black and white in twelve days.