Matango
Toho's mushroom people, made by the Godzilla team, and it is far bleaker than its reputation.
486 entries, from the 1931 Universal cycle to last year. Curated, not exhaustive: a short shelf of things worth knowing about beats a long one nobody can navigate.
486 films · page 4 of 14
Toho's mushroom people, made by the Godzilla team, and it is far bleaker than its reputation.
Spanish, a bullied teenager, and a moral problem she is left holding alone.
Bryan Bertino's bleakest film. Two siblings return to the family farm as their father dies and something takes the household apart.
Ti West made a 1983 film in 2009, on 16mm, and the first hour is a girl walking around a house alone.
A Macau restaurateur and the pork buns. Anthony Wong won Best Actor for it, which tells you about Hong Kong in 1993.
Claire Denis made a vampire film with no vampires, and it was booed at Cannes.
A town becomes obsessed with spirals. Junji Ito adapted before his manga had finished.
A meek British sound engineer comes apart while dubbing an Italian horror film he can hear but never see.
Elizabeth Báthory in an empty Ostend hotel out of season, and it is the most elegant vampire film ever made.
Toho asked their ad director what would scare children. He asked his eleven-year-old daughter and filmed her answers.
A scientist and a guide walk into a forest during a pandemic and find a man, and a spirit, that do not want them to leave.
Starts as a kitchen-sink drama about money, ends somewhere else entirely. The turn is brutal.
A woman alone in a farmhouse fends off an alien home invasion, with almost no dialogue in the entire film.
A girl raises a spider that fell from space in a New York apartment block, and it grows.
Amicus adapting the EC Comics, with Joan Collins menaced by a killer Santa and Peter Cushing as a wronged dustman.
Hammer's only zombie film, set in a Cornish village, and it beat Romero to the mass grave by two years.
Taiwanese, and among the most extreme things released this decade. Go in warned.
The first Hollywood ghost film to play it entirely straight. Almost nothing has aged.
A teenager suspects the woman next door is a witch wearing the neighbours' skins. A word-of-mouth streaming hit.
A Danish coming-of-age werewolf film, and the transformation is puberty in a fishing village that already knows.
Argentinian, merciless, and it establishes early that the film will not spare anybody. It means it.
Opens with eight minutes of real famine footage, then asks its title question literally.
A British alien-abduction film so incoherent and disturbing it has never been fully explained, by anyone, including its director.
The first gore film. Shot in four days for 24,500 dollars and it looks it, which is half the appeal.
The last great Italian horror film, and it is a romantic comedy about a man who shoots the dead for a living.
A Guatemalan dictator on trial for genocide is haunted in his own home. The weeping woman as historical reckoning.
Hopping Chinese vampires, a Taoist priest, and sticky rice as a medical treatment. It invented a whole genre.
A comet turns most of Los Angeles to dust, and two Valley girls inherit the city.
Saul Bass's only feature. The ants are shot like a nature documentary and it is deeply strange.
Argento's late return to the giallo, with Max von Sydow as a retired detective and a genuine nursery-rhyme killer.
A killer in a giant owl mask trapped in a theatre with a dance troupe. Michele Soavi's debut and the best late giallo.
Something is dug up in a field and the village children form a cult. One third of the unholy trinity.
Austrian, based on real 18th-century court records, and about a form of despair almost nobody has filmed.
Ti West's other 1970s-feeling film, about two clerks working the last weekend of a haunted hotel.
Zombies caused by an agricultural radiation device, shot in the Lake District. Much better than it sounds.
Shot on 35mm to look exactly like 1969, written and designed by one person, and very funny.