Night of the Demon
Bigfoot tears a man's genitals off. That is the scene, that is the film, that is why it was prosecuted.
486 entries, from the 1931 Universal cycle to last year. Curated, not exhaustive: a short shelf of things worth knowing about beats a long one nobody can navigate.
42 films · page 1 of 2
Bigfoot tears a man's genitals off. That is the scene, that is the film, that is why it was prosecuted.
Paul Naschy in the Himalayas. On the list almost certainly because somebody read the title and stopped.
A luchadora, a heart transplant from a gorilla, and real open-heart surgery footage spliced in.
An Alien knock-off with exploding chests and a Goblin score doing heavy lifting throughout.
An Aztec god nests atop the Chrysler Building and eats sunbathers, and Michael Moriarty is extraordinary.
Toho's mushroom people, made by the Godzilla team, and it is far bleaker than its reputation.
A woman alone in a farmhouse fends off an alien home invasion, with almost no dialogue in the entire film.
A girl raises a spider that fell from space in a New York apartment block, and it grows.
A teenager suspects the woman next door is a witch wearing the neighbours' skins. A word-of-mouth streaming hit.
A British alien-abduction film so incoherent and disturbing it has never been fully explained, by anyone, including its director.
Saul Bass's only feature. The ants are shot like a nature documentary and it is deeply strange.
The real Santa Claus is a horned thing frozen in a Finnish mountain, and a drilling company has found it.
Hooper on a real budget with Rick Baker's monster. Nowhere near nasty enough to be on this list.
Mercury poisoning produces a mutant bear in the Maine woods, and it is angrier about logging than most activists.
A German alpine resort, Hunter Schafer, and Dan Stevens doing an accent. Deeply strange.
A baby alligator flushed down a toilet grows huge on discarded lab animals in the sewers. John Sayles wrote it and it is a delight.
Nazi zombies with a real budget and a unusually good first act. Better than the premise deserves.
Icelandic, extremely slow, and entirely dependent on you accepting the thing in the second act.
Norwegian students follow a poacher who turns out to hunt state-secret trolls. Deadpan and enormous.
A Swedish customs officer who can smell guilt meets a man who smells like nothing she recognises.
Val Lewton was told to make a film from a title and a poster. He made one about a woman afraid of her own desire.
Jennifer Connelly communicates with insects at a Swiss boarding school, and there is a chimpanzee with a razor.
Joe Dante's Jaws cash-in, written by John Sayles, and it is far smarter and funnier than it needed to be.
Seventy years on, the series returns to what it was for: the war, the guilt, and the cost.
The monster has rules and the film obeys them. A perfectly built piece of engineering.
The last great Universal monster, and a suit design nobody has improved on in seventy years.
Opens with a real incident: formaldehyde poured into the Han river in 2000. Funny, which nothing else here manages.
A black bear ingests a fortune in dropped cocaine and goes on a rampage. Loosely, very loosely, based on a true event.
A robotics engineer builds an AI doll to parent her orphaned niece, and the doll takes the job seriously.
Peele's best-looking film. About spectacle, and about what happens to the people who handle the animals.
Six women, an uncharted cave, and a group dynamic already poisoned before anything goes wrong.
Fede Alvarez taking the franchise back to basics: young colonists, a derelict station, and one very bad idea.
Carpenter directing King's killer car in the same year he made almost nothing else work.
A monster attacks New York, filmed on a camcorder from street level, and the marketing invented a genre of mystery.
Under the effects it is a film about watching someone you love get a terminal illness, and Goldblum plays it that way.
A high-concept gimmick executed with real discipline. The nail on the stair is the whole film.