Women Behind Bars
Franco women-in-prison, made fast and cheap. On the list for the category rather than the content.
486 entries, from the 1931 Universal cycle to last year. Curated, not exhaustive: a short shelf of things worth knowing about beats a long one nobody can navigate.
36 films
Franco women-in-prison, made fast and cheap. On the list for the category rather than the content.
Cannibals who look like they were recruited outside the catering truck. Almost impressively bad.
Franco at his most indifferent. Ninety minutes of jungle and a monster with bulging eyes.
Spanish, a bullied teenager, and a moral problem she is left holding alone.
Claire Denis made a vampire film with no vampires, and it was booed at Cannes.
Elizabeth Báthory in an empty Ostend hotel out of season, and it is the most elegant vampire film ever made.
The last great Italian horror film, and it is a romantic comedy about a man who shoots the dead for a living.
A Guatemalan dictator on trial for genocide is haunted in his own home. The weeping woman as historical reckoning.
The real Santa Claus is a horned thing frozen in a Finnish mountain, and a drilling company has found it.
An Australian teenager says no to a girl for the school dance, and she holds her own dance instead.
Fulci's best giallo, a fever of LSD dreams and a murder that may not have happened.
Shot in 3D with Udo Kier and a spleen. Warhol's name on it, Paul Morrissey's film.
New French Extremity meets Texas Chain Saw, against the backdrop of a real French election.
A French couple terrorised in a house at night, 77 minutes, and it claims to be true.
A remote Brazilian village disappears from the map and finds itself hunted for sport. Weird, angry and unclassifiable.
Three Bava stories introduced by Boris Karloff, and the middle one is the most frightening thing Bava shot.
The most extreme film on this site. A pregnant woman, her house, and a woman with scissors.
The third of Argento's Animal Trilogy, and the least seen because it was legally locked away for decades.
Reworks the structure with the assault largely off screen, which removes nothing it needs.
The middle of Argento's Animal Trilogy, and the one he liked least. A blind man and a reporter chase a killer.
A man spends three years looking for his girlfriend and is finally offered the answer on one condition.
The giallo template, and still the best-looking film in the category.
A dance troupe, spiked sangria, and Gaspar Noé's camera refusing to cut. Unbearable by design.
Brandon Cronenberg again. Wealthy tourists, a legal loophole and Mia Goth having a wonderful time.
A Norwegian student with a repressive religious upbringing discovers her desire has physical consequences.
A divorce film with a tentacle in it. Adjani's U-Bahn scene is the most extreme acting on this site.
The film that named New French Extremity in the popular imagination, and its ending is still being argued about.
Dreyer shooting through gauze at a plot that barely exists. Closer to a bad dream than a film.
A vegetarian vet student develops an appetite. Julia Ducournau's debut and a genuine coming-of-age film.
Two films stapled together, and it takes its argument about suffering completely seriously.
A surgeon steals faces for his disfigured daughter. Filmed with a tenderness that makes it far worse.
The film Hitchcock tried to buy and missed. Ends with a title card asking you not to spoil it.
Won the Palme d'Or. A film about a woman, a car and a grieving fireman, and it is not a comedy.
Runs backwards and uses infrasound to make you physically unwell. About 200 walked out at Cannes.
A twist that survives a second viewing, which is rarer than it sounds.
Body horror about how the industry treats women over fifty, with Demi Moore doing the bravest work of her career.