- Director
- Mario Bava
- Year
- 1964
- Runtime
- 86 min
Also released as
- Sei donne per l'assassino
- Six Women for the Murderer
- Fashion House of Death
- Hat nő és a gyilkos
- Zes Vrouwen voor de Moordenaar
- Verta ja mustaa pitsiä
- L'atelier de la mort
- Lustmördaren
- L'atelier de la peur
- Assasinat dans la Haute Couture
- 6 gynaikes gia to dolofono
- Aima sti mavri dantela
- Aima kai mavri dantella
- Moderu renzoku satsujin!
- Seis mujeres para el asesino
- Seis Mulheres para um Assassino
- Кровь и черные кружева
- Шесть женщин для убийцы
- Sis dones per a l'assassi
- Blutige Seide
- Krv i crna cipka
- Der Würger mit der Maske
- Blod och svarta spetsar
- Qan və Qara Krujeva
- Kan ve Siyah Dantel
Filed under
Blood and Black Lace
Blood and Black Lace is a 1964 French, German and Italian giallo directed by Mario Bava.
The giallo template, and still the best-looking film in the category.
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Bava shoots a fashion house like a jewellery box someone has been sick in. Gel-lit reds and greens, mannequins in every frame, and a killer in a blank white stocking mask who is still frightening sixty years on.
The plot concerns a diary and is not worth your attention; Bava plainly agreed, since he stages six murders and barely bothers connecting them. What makes it the foundation text is the decision that a killing could be the point of a scene rather than its consequence. Everything from Deep Red to Halloween is downstream of this.
Start here if you are starting anywhere.
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Trailer
The sleeves
The same film, sold as a different film in each territory. Click any of them.
Where to watch
Canada
Germany
Finland
UK
USA
Legal sources only. Availability data from JustWatch via TMDB.
Checked 9 Aug 2026
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Adjacent
The Girl Who Knew Too Much
Bava's proto-giallo, the film that invented the template, shot in gorgeous black and white in Rome.
Black Sabbath
Three Bava stories introduced by Boris Karloff, and the middle one is the most frightening thing Bava shot.
Hatchet for the Honeymoon
Bava's first-person portrait of a killer who murders brides to recover a childhood memory. Genuinely strange.
The Bird with the Crystal Plumage
Argento's debut, and the film that turned the giallo into an export industry.
The New York Ripper
Fulci's most repellent film, and it is truly designed to make you feel bad for watching it.
Suspiria
Barely a plot and possibly the most beautiful horror film ever shot.
- Next in Giallo: The Bird with the Crystal Plumage (1970) →