I Miss You, Hugs and Kisses
A Canadian courtroom drama about a real murder. Its presence on the list is inexplicable.
486 entries, from the 1931 Universal cycle to last year. Curated, not exhaustive: a short shelf of things worth knowing about beats a long one nobody can navigate.
38 films · page 1 of 2
A Canadian courtroom drama about a real murder. Its presence on the list is inexplicable.
Michael Ironside stalking a hospital. A real cast, a real budget, and no business being on the list.
Practical effects made on Kickstarter money, doing an unembarrassed Carpenter impression.
A slasher shot entirely from behind the killer, at walking pace, with no score. A formal experiment that works.
An Indian-American teenager unleashes a demon from Hindu folklore while trying to assimilate.
The infection is carried by the English language, and the whole film happens in a radio booth.
Ninety minutes of ceilings and corners at 4am. Either the scariest thing you have seen or nothing at all.
Oz Perkins' debut. Glacial, wintry, and the timeline is doing something you will only spot late.
Brandon Cronenberg working the family seam without embarrassment. The practical effects are appalling in the right way.
Cronenberg's second feature, with an experimental skin graft, a stinger in an armpit, and a plague across Montreal.
The best film on the prosecuted list. Savini's raft scene is why it was on it.
Publicly funded, debated in the Canadian parliament, and filmed with complete clinical calm.
Cronenberg's divorce, filmed. The angriest thing he ever made and he has said so.
Brandon Cronenberg again. Wealthy tourists, a legal loophole and Mia Goth having a wonderful time.
Four interlocking Halloween stories and the best anthology since Creepshow. Warner shelved it for two years.
The puberty metaphor made completely explicit, very funny, and unusually well acted.
A widower, an empty mansion and a wheelchair coming down the stairs. Enormously effective.
The shadow-puppet sequences are the best thing in it. A sequel that is actually about the original.
Everybody remembers the head. The film underneath is about a pharmaceutical company and a custody dispute.
A film about a widowed mother who resents her son, wearing a monster as a coat.
Osgood Perkins doing King as a gore comedy. The deaths are elaborate and the film is laughing.
Two films stapled together, and it takes its argument about suffering completely seriously.
Four years before Halloween and still the most frightening film in the category.
Predicted most of what people now say about the internet, using a Betamax slot in a man's stomach.
A porn crew shoot on a Texas farm in 1979. Ti West doing the texture of the era properly.
Jeremy Irons plays twin gynaecologists who share everything, and Cronenberg's coldest, saddest film.
Peele's best-looking film. About spectacle, and about what happens to the people who handle the animals.
Shot on black and white 35mm in a 1.19:1 box. Two men, a rock, and a great deal of drinking.
Most of the dialogue comes from court records, then it commits fully to the supernatural.
Mickey Rourke hunts a missing crooner for a client called Louis Cyphre, and the answer is the worst possible one.
The super-8 reels are the film. Everything between them is a man in an office not turning the lights on.
Del Toro doing full gothic romance. The house is the best thing in it and it is sinking.
Six strangers in a lethal maze of identical rooms, shot on one set for under 400,000 Canadian dollars.
Competent, well shot, and exactly what it says. Stan Winston did the mutants.
Under the effects it is a film about watching someone you love get a terminal illness, and Goldblum plays it that way.
Wan's best jump scares and the film that built the modern haunting industry. The Further is silly and it works.