Penda's Fen
A BBC play about a repressed vicar's son in the English countryside, and it is one of the strangest things ever broadcast.
486 entries, from the 1931 Universal cycle to last year. Curated, not exhaustive: a short shelf of things worth knowing about beats a long one nobody can navigate.
50 films · page 1 of 2
A BBC play about a repressed vicar's son in the English countryside, and it is one of the strangest things ever broadcast.
A Danish-Jewish folk horror about a dybbuk, a mother, and a relationship the mother will not permit.
Made by one family during lockdown for almost nothing, and it looks better than films with fifty times the budget.
Mexican, and the best pregnancy horror since Rosemary's Baby. The joint-cracking sound design is the thing.
Children orphaned by the Mexican drug war, three wishes, and the dead following them through the streets.
Deserters in the English Civil War eat mushrooms and dig for treasure while reality dissolves. Shot in black and white in twelve days.
Brazil's first horror film, made by a man who invented himself as a character and played him for fifty years.
An Indonesian folk horror about a woman who returns to a village that has been waiting for her.
A lone woman on a Cornish island in 1973, a flower, a standing stone, and time coming apart.
A near-wordless survival film in a post-apocalypse where a cult has cut out their own tongues.
An Indian-American teenager unleashes a demon from Hindu folklore while trying to assimilate.
A Carpathian village, a dead girl with a white ball, and Fellini borrowed the image wholesale.
A scientist and a guide walk into a forest during a pandemic and find a man, and a spirit, that do not want them to leave.
Starts as a kitchen-sink drama about money, ends somewhere else entirely. The turn is brutal.
Hammer's only zombie film, set in a Cornish village, and it beat Romero to the mass grave by two years.
A teenager suspects the woman next door is a witch wearing the neighbours' skins. A word-of-mouth streaming hit.
A Danish coming-of-age werewolf film, and the transformation is puberty in a fishing village that already knows.
A Guatemalan dictator on trial for genocide is haunted in his own home. The weeping woman as historical reckoning.
Hopping Chinese vampires, a Taoist priest, and sticky rice as a medical treatment. It invented a whole genre.
Something is dug up in a field and the village children form a cult. One third of the unholy trinity.
Austrian, based on real 18th-century court records, and about a form of despair almost nobody has filmed.
A Macedonian witch story told as a Malick film, and it is about what it is to be a person.
Two women murdered by samurai return as cats bound by a promise to drink the blood of every samurai they meet.
A Martian spacecraft under a London tube station, and it explains the Devil.
The real Santa Claus is a horned thing frozen in a Finnish mountain, and a drilling company has found it.
An Indian folk horror about greed, a hidden god, and a womb in the earth, spanning three generations.
Vincent Price with the camp switched off, torturing people in English summer sunshine.
The runic parchment, the smoke on the railway line, and a monster the producer added against the director's wishes.
Tehran during the War of the Cities, a djinn, and a mother the state has already stripped of options.
A Czech surrealist film about a thirteen-year-old girl, vampires and menstruation, and it is not what that sounds like.
Fulci's best film, and it is about a village killing the wrong person.
Two shamans and two geomancers exhume a cursed grave in Korea, and what is under it is worse than the curse.
Alex Garland being about as subtle as a church door. The final sequence is remarkable regardless.
Angela Carter adapting herself. Nested fairy tales about what adults tell girls about men.
Stuart Gordon adapting The Shadow over Innsmouth, relocated to a rotting Spanish fishing town.
A tax collector shelters in a haunted temple and falls in love with a ghost enslaved by a tree demon with a very long tongue.