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1931 onward · 53 films

Gothic

Castles, candelabra and inherited guilt. The oldest room in the house.

Gothic horror predates cinema by 150 years, and the films inherited the furniture more or less intact: a decaying great house, a family with something buried in it, a woman who arrives from outside and works out what.

Universal builds the vocabulary

The 1931 to 1935 Universal cycle fixed the images everybody still uses. Dracula is stagey and slow, but Karloff's Frankenstein monster and the sets built for it established that horror could look expensive. Bride of Frankenstein (1935) is the one that holds up: James Whale is openly funny in it, Ernest Thesiger's Pretorius is the first camp villain in horror, and the film is sympathetic to the monster in a way the novel is not.

Hammer repaints it

By the mid-1950s the Universal formula was exhausted. Hammer restarted it in colour, with blood that looked like blood, and with Christopher Lee playing Dracula as a physical threat rather than a foreign aristocrat with a cape problem. The Curse of Frankenstein (1957) made money in a way that reorganised British film production for a decade.

Italy does it better looking

Mario Bava's Black Sunday (1960) is the high-water mark for gothic photography. Shot in black and white because Bava could not afford colour, it looks more expensive than anything Hammer made, and Barbara Steele's face became the genre's single most recognisable image.

The quiet strand

Running alongside the castles is a subtler line that trusts suggestion: The Innocents (1961), The Haunting (1963), Kill, Baby... Kill! (1966). These are the gothics that still frighten people, largely because they never show you the thing.

Now

Gothic never went away, it just stopped being the default. Del Toro works almost exclusively in it. Robert Eggers' The Lighthouse is gothic with the castle replaced by a rock. Anything with an inheritance, a locked room and a family secret is drawing on this.

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The whole shelf

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Sleeve art for A Chinese Ghost StoryWATCHknown

A Chinese Ghost Story

1987 · HK · 92m

A tax collector shelters in a haunted temple and falls in love with a ghost enslaved by a tree demon with a very long tongue.

Sleeve art for A Tale of Two SistersWATCHknown

A Tale of Two Sisters

2003 · South Korea · 110m

The highest-grossing Korean horror film ever, and it is really a family drama with a haunting in it.

Sleeve art for Black SabbathWATCHknown

Black Sabbath

1963 · Italy/France · 92m

Three Bava stories introduced by Boris Karloff, and the middle one is the most frightening thing Bava shot.

Sleeve art for Blood RitesWATCHobscure

Blood Rites

1968 · USA

Andy Milligan shooting in Staten Island with a hand-held Auricon. An acquired taste nobody acquires.

Sleeve art for CreepshowWATCHknown

Creepshow

1982 · USA · 120m

Romero and King doing EC Comics, with panel borders, primary lighting and a story about a cake.

Sleeve art for Daughters of DarknessWATCHcult

Daughters of Darkness

1971 · France/Germany · 100m

Elizabeth Báthory in an empty Ostend hotel out of season, and it is the most elegant vampire film ever made.

Sleeve art for Dead of NightWATCHknown

Dead of Night

1945 · UK · 103m

The British portmanteau that every anthology since has copied, and the ventriloquist episode has never been bettered.

Sleeve art for Don't Look NowWATCHcanon

Don't Look Now

1973 · UK/Italy · 110m

Grief, Venice, and an edit that keeps showing you the ending before you can read it.

Sleeve art for DraculaWATCHcanon

Dracula

1931 · USA · 75m

Stagey, slow, and it has no score at all. Lugosi's face is the entire reason it survives.

Sleeve art for Eyes Without a FaceWATCHcanon

Eyes Without a Face

1960 · France/Italy · 90m

A surgeon steals faces for his disfigured daughter. Filmed with a tenderness that makes it far worse.

Sleeve art for FrankensteinWATCHcanon

Frankenstein

1931 · USA · 71m

Karloff in Jack Pierce's makeup, and the flat head is a copyrighted design rather than anything from the novel.

Sleeve art for FreaksWATCHcanon

Freaks

1932 · USA · 64m

Tod Browning cast real sideshow performers, MGM cut a third of it, and it ended his career.

Sleeve art for Fright NightWATCHcanon

Fright Night

1985 · USA · 103m

A teenager works out his new neighbour is a vampire and no adult will believe him, so he hires a washed-up TV host.

Sleeve art for Horror of DraculaWATCHcanon

Horror of Dracula

1958 · UK · 85m

Christopher Lee plays Dracula as a physical threat rather than a foreign gentleman, and it is over in 82 minutes.

Sleeve art for ImmaculateWATCHknown

Immaculate

2024 · USA/Italy · 89m

Nunsploitation with a real budget. The last shot is a single unbroken take and it is the reason to watch.

Sleeve art for In FabricWATCHknown

In Fabric

2018 · UK · 118m

A haunted red dress moves from customer to customer through a nightmarish department store.

Sleeve art for Kill, Baby... Kill!WATCHcult

Kill, Baby... Kill!

1966 · Italy · 85m

A Carpathian village, a dead girl with a white ball, and Fellini borrowed the image wholesale.

Sleeve art for KwaidanWATCHknown

Kwaidan

1964 · Japan · 183m

Four ghost stories on hand-painted sound stages, three hours long, and among the most beautiful films ever made.

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La Llorona

2019 · GT/France · 97m

A Guatemalan dictator on trial for genocide is haunted in his own home. The weeping woman as historical reckoning.

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Lisa and the Devil

1973 · Germany/Italy · 95m

Bava given complete freedom, and the film is a dream nobody can escape, including the producer.

Sleeve art for NosferatuWATCHcanon

Nosferatu

2024 · USA · 143m

Eggers going back to Murnau rather than to Stoker. Filthy, plague-ridden, and Orlok has a moustache.

Sleeve art for NosferatuWATCHcanon

Nosferatu

1922 · Germany · 94m

An illegal Dracula that survived a court order to burn it. Still the best-looking vampire film.

Sleeve art for PhantasmWATCHknown

Phantasm

1979 · USA · 88m

A tall undertaker, a flying silver sphere, and a film that runs entirely on dream logic. Don Coscarelli was 23.

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Renfield

2023 · USA · 93m

Nicolas Cage plays Dracula as a toxic boss, and his familiar wants to leave the relationship. A horror comedy about codependency.

Sleeve art for Tales from the CryptWATCHcult

Tales from the Crypt

1972 · UK/USA · 92m

Amicus adapting the EC Comics, with Joan Collins menaced by a killer Santa and Peter Cushing as a wronged dustman.

Sleeve art for The Abominable Dr. Phibesknown

The Abominable Dr. Phibes

1971 · UK/Australia · 94m

Vincent Price murders the surgeons who let his wife die, each death based on the plagues of Egypt. A gorgeous, deranged art deco comedy.

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Theatre of Blood

1973 · UK · 104m

Vincent Price as a hammy actor murdering the critics who denied him an award, each death staged from Shakespeare.

Sleeve art for The Devil's BackboneWATCHknown

The Devil's Backbone

2001 · Spain/Mexico · 106m

Del Toro's other Spanish Civil War film, and he has called it the companion to Pan's Labyrinth.

Sleeve art for The Front RoomWATCHcult

The Front Room

2024 · USA · 94m

A pregnant woman is forced to care for her husband's monstrous, dying, evangelical stepmother.

Sleeve art for The LighthouseWATCHcanon

The Lighthouse

2019 · USA/Canada · 109m

Shot on black and white 35mm in a 1.19:1 box. Two men, a rock, and a great deal of drinking.

Sleeve art for The Lost BoysWATCHcanon

The Lost Boys

1987 · USA · 97m

Joel Schumacher's MTV vampires in a California beach town, and it made the genre cool for a decade.

Sleeve art for The Old Dark HouseWATCHknown

The Old Dark House

1932 · USA · 70m

James Whale between the two Frankensteins, having a wonderful time, and Karloff is the least of it.

Sleeve art for The OrphanageWATCHcanon

The Orphanage

2007 · Spain/Mexico · 101m

Produced by del Toro, and it is a film about a mother rather than a house.

Sleeve art for The OthersWATCHcanon

The Others

2001 · USA/Spain · 101m

A twist that survives a second viewing, which is rarer than it sounds.

Sleeve art for The SentinelWATCHknown

The Sentinel

1977 · USA · 92m

A model moves into a Brooklyn brownstone that turns out to be the gateway to Hell, guarded by a blind priest.

Sleeve art for The UninvitedWATCHcult

The Uninvited

1944 · USA · 99m

The first Hollywood ghost film to play it entirely straight. Almost nothing has aged.

Sleeve art for The Wolf ManWATCHcanon

The Wolf Man

1941 · USA · 70m

Most werewolf folklore you think is ancient was invented for this script in 1941.

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Tigers Are Not Afraid

2017 · Mexico · 83m

Children orphaned by the Mexican drug war, three wishes, and the dead following them through the streets.

Sleeve art for TumbbadWATCHknown

Tumbbad

2018 · IN · 104m

An Indian folk horror about greed, a hidden god, and a womb in the earth, spanning three generations.

Sleeve art for Vampire CircusWATCHknown

Vampire Circus

1972 · UK · 87m

A plague-quarantined village visited by a travelling circus, and it is the strangest film Hammer made.

Sleeve art for White ZombieWATCHknown

White Zombie

1932 · USA · 69m

The first zombie film, made independently, with Lugosi controlling the dead on a Haitian sugar plantation.