Blood Rites
Andy Milligan shooting in Staten Island with a hand-held Auricon. An acquired taste nobody acquires.
486 entries, from the 1931 Universal cycle to last year. Curated, not exhaustive: a short shelf of things worth knowing about beats a long one nobody can navigate.
53 films · page 1 of 2
Andy Milligan shooting in Staten Island with a hand-held Auricon. An acquired taste nobody acquires.
Children orphaned by the Mexican drug war, three wishes, and the dead following them through the streets.
Brazil's first horror film, made by a man who invented himself as a character and played him for fifty years.
A pregnant woman is forced to care for her husband's monstrous, dying, evangelical stepmother.
Bava given complete freedom, and the film is a dream nobody can escape, including the producer.
A Carpathian village, a dead girl with a white ball, and Fellini borrowed the image wholesale.
Elizabeth Báthory in an empty Ostend hotel out of season, and it is the most elegant vampire film ever made.
Amicus adapting the EC Comics, with Joan Collins menaced by a killer Santa and Peter Cushing as a wronged dustman.
The first Hollywood ghost film to play it entirely straight. Almost nothing has aged.
A Guatemalan dictator on trial for genocide is haunted in his own home. The weeping woman as historical reckoning.
Vincent Price as a hammy actor murdering the critics who denied him an award, each death staged from Shakespeare.
Four stories tied to one house, written by Robert Bloch, with Christopher Lee and a very young Jon Pertwee joke.
A model moves into a Brooklyn brownstone that turns out to be the gateway to Hell, guarded by a blind priest.
An Indian folk horror about greed, a hidden god, and a womb in the earth, spanning three generations.
A plague-quarantined village visited by a travelling circus, and it is the strangest film Hammer made.
Shot in 3D with Udo Kier and a spleen. Warhol's name on it, Paul Morrissey's film.
A haunted red dress moves from customer to customer through a nightmarish department store.
Vincent Price murders the surgeons who let his wife die, each death based on the plagues of Egypt. A gorgeous, deranged art deco comedy.
Hammer's only werewolf film, Oliver Reed's first lead, and the transformation is largely his face.
A Czech surrealist film about a thirteen-year-old girl, vampires and menstruation, and it is not what that sounds like.
The British portmanteau that every anthology since has copied, and the ventriloquist episode has never been bettered.
Three Bava stories introduced by Boris Karloff, and the middle one is the most frightening thing Bava shot.
The best of Corman's Poe cycle, shot by Nicolas Roeg on sets left over from Becket.
A tax collector shelters in a haunted temple and falls in love with a ghost enslaved by a tree demon with a very long tongue.
The highest-grossing Korean horror film ever, and it is really a family drama with a haunting in it.
Jane Eyre relocated to a Caribbean sugar plantation, and it is the most beautiful film in this category.
The Turn of the Screw done perfectly, and it never once tells you whether the ghosts are real.
James Whale between the two Frankensteins, having a wonderful time, and Karloff is the least of it.
Bava could not afford colour and made the best-looking gothic ever shot. Barbara Steele's face did the rest.
Four ghost stories on hand-painted sound stages, three hours long, and among the most beautiful films ever made.
The first zombie film, made independently, with Lugosi controlling the dead on a Haitian sugar plantation.
A tall undertaker, a flying silver sphere, and a film that runs entirely on dream logic. Don Coscarelli was 23.
Romero and King doing EC Comics, with panel borders, primary lighting and a story about a cake.
Nunsploitation with a real budget. The last shot is a single unbroken take and it is the reason to watch.
The film that made Hammer, made in colour, with blood that looks like blood.
Del Toro's other Spanish Civil War film, and he has called it the companion to Pan's Labyrinth.