Don't Go in the Woods
Shot in Utah for 100,000 dollars with a score that never stops. Beloved by a small and stubborn group.
486 entries, from the 1931 Universal cycle to last year. Curated, not exhaustive: a short shelf of things worth knowing about beats a long one nobody can navigate.
23 films
Shot in Utah for 100,000 dollars with a score that never stops. Beloved by a small and stubborn group.
Bigfoot tears a man's genitals off. That is the scene, that is the film, that is why it was prosecuted.
68 minutes, shot in nine days, and oddly melancholy for something on a banned list.
A caravan holiday across the English Midlands turns into a killing spree, and it is a very bleak comedy about class and resentment.
Descendants of collapsed tunnel workers living under Russell Square, and Donald Pleasence steals it.
A slasher shot entirely from behind the killer, at walking pace, with no score. A formal experiment that works.
A folksy farmer makes the best smoked meat in the county. The secret is people, planted in the garden up to their necks.
Hooper's follow-up to Chain Saw, shot entirely on a sound stage lit in red. A hotel, a scythe and a crocodile.
A Sierra Nevada fort in 1847, cannibalism as manifest destiny, and a score unlike any other.
New French Extremity meets Texas Chain Saw, against the backdrop of a real French election.
Rob Zombie's second film, and it turns the killers from his first into the protagonists, which should not work.
Three backpackers in the Australian outback. The first hour is a holiday film and it is not padding.
A slow western for 90 minutes, then one scene people never forget. You will know it when it starts.
A nuclear family against a family mutated by nuclear testing. By the end there is no difference in method.
A porn crew shoot on a Texas farm in 1979. Ti West doing the texture of the era properly.
A black bear ingests a fortune in dropped cocaine and goes on a rampage. Loosely, very loosely, based on a true event.
Craven remaking Bergman on no money. To avoid fainting, keep repeating: it's only a movie.
Not marketed as horror and the founding text of an entire horror subgenre.
Competent, well shot, and exactly what it says. Stan Winston did the mutants.
Almost bloodless and completely unbearable. Heat, noise and exhaustion doing all the work.
Copied Halloween without any of the craft, added Savini, and proved the formula worked anyway.
A machine for explaining why every other film on this site is shaped the way it is.
Prosecuted dozens of times and won more often than it lost. Raimi was 21 and it shows in the best way.