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1980 onward · 25 films

Found Footage

The camera is a character and it will be dropped. Cheap, exhausted, occasionally perfect.

Found footage presents the film as recovered material. It is the cheapest format in horror, which is why there is so much of it and why most of it is bad.

The rules it has to obey

Somebody has to keep holding the camera when a reasonable person would run. Every film in the format either solves this or ignores it, and the good ones solve it. The other constraint is that the ending is fixed in advance: if this is recovered footage, the people who shot it are not around to hand it in.

Deodato first

Cannibal Holocaust (1980) is the first fully worked example: a rescue party recovers a missing crew's film, and a broadcaster decides whether to air it. The framing is more rigorous than most of what followed.

Blair Witch

The Blair Witch Project (1999) cost about 60,000 dollars and grossed nearly 250 million. Its marketing campaign, one of the first built entirely on the web, presented the actors as missing persons, and a real number of people believed it. Nothing is shown at any point. The final shot is a man facing a corner, which works because of a piece of folklore established forty minutes earlier.

The best of them

Lake Mungo (2008) is an Australian mock documentary about a drowned girl and it is the most devastating film in this category. It is barely a horror film for an hour. Then there is a shot on a mobile phone that people do not forget.

REC (2007) is the opposite approach: a Barcelona apartment block, a news crew, and eighty minutes of escalation with no let-up.

Why it stalled

Paranormal Activity (2007) made 193 million dollars on a 15,000 dollar budget and triggered a decade of imitators. The format now signals cheapness before the film has started, which is unfair to the twenty or so good ones.

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The whole shelf

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A team building a Halloween haunted attraction in a real abandoned hotel, and the footage is all that is left.

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A Taiwanese found-footage film built around a curse the film itself tries to pass to you.

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A Belgian film crew follow a serial killer and gradually start holding the equipment for him.

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2005 · Japan · 115m

A documentary film-maker investigates a demon called Kagutaba and does not come back.

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2017 · Japan · 96m

Sit through the rough first 37 minutes. That instruction is the whole review and it is worth obeying.

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2009 · Spain · 85m

The sequel picks up minutes after the first, sends a SWAT team into the sealed building, and reframes the whole outbreak.

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2004 · Thailand · 92m

A photographer starts finding a figure in his negatives. The reveal about the neck pain is the best in Asian horror.

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2012 · USA/UK · 105m

The super-8 reels are the film. Everything between them is a man in an office not turning the lights on.

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Skinamarink

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Ninety minutes of ceilings and corners at 4am. Either the scariest thing you have seen or nothing at all.

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The Bay

2012 · USA · 85m

Barry Levinson made a found-footage eco-horror about a Chesapeake town and parasitic isopods.

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The Medium

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Thai-Korean, a documentary crew following a shaman, and the last twenty minutes are relentless.

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Troll Hunter

2010 · Norway · 103m

Norwegian students follow a poacher who turns out to hunt state-secret trolls. Deadpan and enormous.