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1972 to 1985 · 19 films

Cannibal

A short, indefensible Italian cycle with real animal killings in it. Crossover with Reel Scum.

The Italian cannibal film had a shorter life than most people assume. Draw the boundary generously and it runs 1972 to 1985. The part everyone is actually thinking of is about four years long.

It comes out of mondo, not horror

Mondo Cane (1962) proved a format: send a crew abroad, film customs and deaths, narrate it in tones of appalled fascination, sell it as documentary. A large and unmeasurable share of mondo footage was staged, and the audience half knew. The possibility that it was real was the product.

Umberto Lenzi's Deep River Savages (1972) is the hinge: structurally A Man Called Horse, relocated to Thailand with the mondo apparatus bolted on. It did not start a boom. It sat there for five years.

Cannibal Holocaust

Deodato's 1980 film is the one that matters, and its reputation is deserved in more than one direction at once.

The structure is decades early: a rescue party recovers film shot by a missing documentary crew, and a New York broadcaster decides whether to air it. That is found footage nineteen years before The Blair Witch Project, and built more rigorously than most of what followed.

The target is its own genre. The documentary crew are the villains, staging the atrocities they claim to record.

Six animals were killed on camera to make that argument. A coati, a turtle, a snake, a monkey, a tarantula and a pig. Deodato said later that he regretted it.

The legal aftermath is usually left out. Deodato was arrested on obscenity charges and, because the marketing claimed the footage was real and the four leads had contracted to stay out of sight for a year, he was also suspected of having murdered them. He produced them alive in court. The animal charges stuck.

Why it ended

The Video Recordings Act killed the UK market, the Italian industry collapsed, and the cycle had nowhere left to escalate.

The American cousin

The Texas Chain Saw Massacre (1974) is filed here as well. It shares the premise and almost none of the method: it is nearly bloodless, and its horror is heat, noise and exhaustion.

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The whole shelf

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Bone Tomahawk

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Cannibal Apocalypse

1980 · Italy/Spain · 92m

Vietnam veterans come home with a bite that spreads. A better idea than the film delivers.

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Death Line

1972 · UK · 87m

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1980 · Spain/France · 80m

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2022 · USA · 114m

The title card arrives 33 minutes in, which tells you what kind of film it intends to be.

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Motel Hell

1980 · USA · 106m

A folksy farmer makes the best smoked meat in the county. The secret is people, planted in the garden up to their necks.

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Parents

1989 · USA · 80m

A boy in 1950s suburbia suspects the leftovers his parents keep serving are people. Bob Balaban directed.

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Ravenous

1999 · UK/USA · 100m

A Sierra Nevada fort in 1847, cannibalism as manifest destiny, and a score unlike any other.

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2016 · France/BE · 99m

A vegetarian vet student develops an appetite. Julia Ducournau's debut and a genuine coming-of-age film.

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1993 · HK · 96m

A Macau restaurateur and the pork buns. Anthony Wong won Best Actor for it, which tells you about Hong Kong in 1993.

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Trouble Every Day

2001 · France/Germany · 101m

Claire Denis made a vampire film with no vampires, and it was booed at Cannes.