Anthropophagous: The Beast
Famous for two shots and unwatchable between them. George Eastman wrote himself the title role.
1972 to 1985 · 19 films
A short, indefensible Italian cycle with real animal killings in it. Crossover with Reel Scum.
The Italian cannibal film had a shorter life than most people assume. Draw the boundary generously and it runs 1972 to 1985. The part everyone is actually thinking of is about four years long.
Mondo Cane (1962) proved a format: send a crew abroad, film customs and deaths, narrate it in tones of appalled fascination, sell it as documentary. A large and unmeasurable share of mondo footage was staged, and the audience half knew. The possibility that it was real was the product.
Umberto Lenzi's Deep River Savages (1972) is the hinge: structurally A Man Called Horse, relocated to Thailand with the mondo apparatus bolted on. It did not start a boom. It sat there for five years.
Deodato's 1980 film is the one that matters, and its reputation is deserved in more than one direction at once.
The structure is decades early: a rescue party recovers film shot by a missing documentary crew, and a New York broadcaster decides whether to air it. That is found footage nineteen years before The Blair Witch Project, and built more rigorously than most of what followed.
The target is its own genre. The documentary crew are the villains, staging the atrocities they claim to record.
Six animals were killed on camera to make that argument. A coati, a turtle, a snake, a monkey, a tarantula and a pig. Deodato said later that he regretted it.
The legal aftermath is usually left out. Deodato was arrested on obscenity charges and, because the marketing claimed the footage was real and the four leads had contracted to stay out of sight for a year, he was also suspected of having murdered them. He produced them alive in court. The animal charges stuck.
The Video Recordings Act killed the UK market, the Italian industry collapsed, and the cycle had nowhere left to escalate.
The Texas Chain Saw Massacre (1974) is filed here as well. It shares the premise and almost none of the method: it is nearly bloodless, and its horror is heat, noise and exhaustion.
Open a chatbot with a question about this already typed out. Useful for a second opinion, a plot detail, or working out which cut you are holding.
Famous for two shots and unwatchable between them. George Eastman wrote himself the title role.
A slow western for 90 minutes, then one scene people never forget. You will know it when it starts.
Vietnam veterans come home with a bite that spreads. A better idea than the film delivers.
Cannibals who look like they were recruited outside the catering truck. Almost impressively bad.
Descendants of collapsed tunnel workers living under Russell Square, and Donald Pleasence steals it.
Franco at his most indifferent. Ninety minutes of jungle and a monster with bulging eyes.
The title card arrives 33 minutes in, which tells you what kind of film it intends to be.
A folksy farmer makes the best smoked meat in the county. The secret is people, planted in the garden up to their necks.
A boy in 1950s suburbia suspects the leftovers his parents keep serving are people. Bob Balaban directed.
A Sierra Nevada fort in 1847, cannibalism as manifest destiny, and a score unlike any other.
A vegetarian vet student develops an appetite. Julia Ducournau's debut and a genuine coming-of-age film.
A Macau restaurateur and the pork buns. Anthony Wong won Best Actor for it, which tells you about Hong Kong in 1993.
Claire Denis made a vampire film with no vampires, and it was booed at Cannes.
A Mexico City family loses its father and has to work out who now does the hunting.