Zombie Flesh Eaters
A zombie fights a shark. There is also an eye and a splinter. Fulci's most purely entertaining film.
486 entries, from the 1931 Universal cycle to last year. Curated, not exhaustive: a short shelf of things worth knowing about beats a long one nobody can navigate.
97 films · page 3 of 3
A zombie fights a shark. There is also an eye and a splinter. Fulci's most purely entertaining film.
A slow western for 90 minutes, then one scene people never forget. You will know it when it starts.
Ebert called it the worst film ever made. Clover argued the camera is with her throughout. Both cases are live.
A vegetarian vet student develops an appetite. Julia Ducournau's debut and a genuine coming-of-age film.
The funniest Lovecraft adaptation ever made, which is not what anybody expected.
Osgood Perkins doing King as a gore comedy. The deaths are elaborate and the film is laughing.
The bloodiest film ever made at the time, and it is a comedy about a man and his mother.
Two films stapled together, and it takes its argument about suffering completely seriously.
Spends an hour as a gentle romantic comedy. That is not an accident.
Ari Aster's three-hour anxiety odyssey, and it is horror only in the sense that being alive is.
The bleakest of Romero's trilogy, hated on release, and Tom Savini's best work.
A bride versus her new in-laws and their family obligation. Very funny and mean.
Go in knowing nothing. The structure is the point and every synopsis ruins it.
A vertical prison and a descending table of food. The metaphor is a brick and the film is effective anyway.
Moves the cabin to a Los Angeles tower block. The cheese grater is the sequence people talk about.
Clive Barker adapting his own novella, and the Cenobites are on screen for about eight minutes.
Won the Palme d'Or. A film about a woman, a car and a grieving fireman, and it is not a comedy.
Runs backwards and uses infrasound to make you physically unwell. About 200 walked out at Cannes.
Found footage nineteen years before Blair Witch, and six animals actually died to make its point.
Half remake, half sequel, and it turns the first film into slapstick without losing the nastiness.
A class of Japanese schoolchildren are dropped on an island and made to kill each other. Kinji Fukasaku's last major film.
Body horror about how the industry treats women over fifty, with Demi Moore doing the bravest work of her career.
A man is imprisoned in a room for fifteen years with no explanation, released, and given five days to find out why.
Two men chained in a bathroom, made for 1.2 million dollars in eighteen days, and it is far better than its franchise.
The only horror film to win Best Picture, and it wins the argument about whether it is one.