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The films

486 entries, from the 1931 Universal cycle to last year. Curated, not exhaustive: a short shelf of things worth knowing about beats a long one nobody can navigate.

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94 films · page 2 of 3

Sleeve art for WolfenWATCHknown

Wolfen

1981 · USA · 115m

Not really a werewolf film. Something older is hunting in the ruins of the South Bronx.

Sleeve art for SocietyWATCHknown

Society

1989 · USA/Japan · 99m

A Beverly Hills teenager suspects his family are not human. The last twenty minutes prove it, wetly.

Sleeve art for Ms .45WATCHknown

Ms .45

1981 · USA · 80m

Abel Ferrara's second film. A mute seamstress, a .45, and a nun's habit at the end.

Sleeve art for ManiacWATCHknown

Maniac

1980 · USA · 88m

Joe Spinell wrote himself the lead and Tom Savini blew his own head off on camera.

Sleeve art for Santa SangreWATCHknown

Santa Sangre

1989 · Mexico · 119m

Jodorowsky's most coherent film, which is a comparative statement. A circus, an armless mother and a son who lends her his hands.

Sleeve art for Basket CaseWATCHknown

Basket Case

1982 · USA · 91m

A young man carries his surgically-separated deformed twin in a wicker basket, and they are taking revenge.

Sleeve art for Sleepaway CampWATCHknown

Sleepaway Camp

1983 · USA · 81m

A cheap, badly acted summer camp slasher with an ending that has been argued about for forty years.

Sleeve art for Tetsuo: The Iron ManWATCHknown

Tetsuo: The Iron Man

1989 · Japan · 67m

67 minutes of black and white industrial noise made over eighteen months by a crew that mostly quit.

Sleeve art for The EntityWATCHknown

The Entity

1982 · USA · 125m

A woman is repeatedly assaulted by an invisible entity, and the film sides with her against the psychiatrists.

Sleeve art for DemonsWATCHknown

Demons

1985 · Italy · 84m

Lamberto Bava, produced by Argento, and it is a film about a cinema audience being turned into monsters inside the cinema.

Sleeve art for From BeyondWATCHknown

From Beyond

1986 · USA/Italy · 85m

Stuart Gordon and Jeffrey Combs reunite after Re-Animator for a Lovecraft story about a machine that reveals what is always there.

Sleeve art for LifeforceWATCHknown

Lifeforce

1985 · UK/Australia · 116m

Tobe Hooper's space-vampire epic, adapted from Colin Wilson, and it is completely insane in the best way.

Sleeve art for OperaWATCHknown

Opera

1987 · Italy/USA · 103m

Argento's last great film, and the needles taped under the eyes are the image of his career.

Sleeve art for The BurningWATCHknown

The Burning

1981 · Canada/USA · 91m

The best film on the prosecuted list. Savini's raft scene is why it was on it.

Sleeve art for Cannibal FeroxWATCHknown

Cannibal Ferox

1981 · Italy · 93m

Sold as the most violent film ever made. Lenzi chasing Deodato and killing more animals to do it.

Sleeve art for A Chinese Ghost StoryWATCHknown

A Chinese Ghost Story

1987 · HK · 92m

A tax collector shelters in a haunted temple and falls in love with a ghost enslaved by a tree demon with a very long tongue.

Sleeve art for AlligatorWATCHknown

Alligator

1980 · USA · 87m

A baby alligator flushed down a toilet grows huge on discarded lab animals in the sewers. John Sayles wrote it and it is a delight.

Sleeve art for The VanishingWATCHknown

The Vanishing

1988 · France/NL · 103m

A man spends three years looking for his girlfriend and is finally offered the answer on one condition.

Sleeve art for InfernoWATCHknown

Inferno

1980 · Italy · 107m

The Suspiria sequel. Less coherent, more beautiful, and has the best underwater sequence Argento shot.

Sleeve art for Near DarkWATCHknown

Near Dark

1987 · USA · 94m

Kathryn Bigelow's vampires are a violent family in a camper van. The word is never used.

Sleeve art for PossessionWATCHknown

Possession

1981 · France · 123m

A divorce film with a tentacle in it. Adjani's U-Bahn scene is the most extreme acting on this site.

Sleeve art for PhenomenaWATCHknown

Phenomena

1985 · Italy · 116m

Jennifer Connelly communicates with insects at a Swiss boarding school, and there is a chimpanzee with a razor.

Sleeve art for TenebraeWATCHknown

Tenebrae

1982 · Italy · 110m

Argento's last great giallo, and the one with the three-minute crane shot up the side of a house.

Sleeve art for The BeyondWATCHknown

The Beyond

1981 · Italy · 88m

Almost no coherent plot and that is the argument for it. One of the bleakest endings in the genre.

Sleeve art for The ChangelingWATCHknown

The Changeling

1980 · Canada · 107m

A widower, an empty mansion and a wheelchair coming down the stairs. Enormously effective.

Sleeve art for The HowlingWATCHknown

The Howling

1981 · USA · 91m

Rob Bottin was 21. Released months from American Werewolf and between them they finished the subgenre.

Sleeve art for CreepshowWATCHknown

Creepshow

1982 · USA · 120m

Romero and King doing EC Comics, with panel borders, primary lighting and a story about a cake.

Sleeve art for Pet SemataryWATCHknown

Pet Sematary

1989 · USA · 103m

King wrote the novel and thought it too bleak to publish. The film keeps the bleakness.

Sleeve art for Re-AnimatorWATCHknown

Re-Animator

1985 · USA · 104m

The funniest Lovecraft adaptation ever made, which is not what anybody expected.

Sleeve art for ScannersWATCHknown

Scanners

1981 · Canada · 103m

Everybody remembers the head. The film underneath is about a pharmaceutical company and a custody dispute.