goreledger
Sign in

1922 onward · 21 films

Witchcraft

Rural, female, and usually persecuted by exactly the people the film sides against.

Witchcraft horror splits cleanly in two: films about witches who are real and dangerous, and films about communities that murder women for no reason. The second group is bleaker and generally better.

The documentary that is not one

Benjamin Christensen's Häxan (1922) is a Swedish-Danish essay film about witch trials, with staged reconstructions of sabbaths that were shocking enough to be banned in the United States. Its argument, that the accused were mentally ill or simply poor and inconvenient, was ahead of the scholarship by decades.

The persecution strand

Michael Reeves' Witchfinder General (1968) has Vincent Price playing Matthew Hopkins straight, with the camp switched off, and it is the best performance he ever gave. The English countryside is shot in summer sunshine while people are tortured in it. Reeves died at 25, the year after.

The Witch (2015) does the same period with obsessive accuracy, most of the dialogue taken from court records, and then commits fully to the supernatural in the last ten minutes.

The stylists

Argento's Suspiria (1977) is barely about witchcraft and barely has a plot. It was one of the last films printed in three-strip Technicolor, which is why the reds look like nothing shot since.

Note on the folk crossover

Witchcraft and folk horror share most of a border. Filed here: the coven is the threat. Filed as folk horror: the community is.

Discuss with AI

Open a chatbot with a question about this already typed out. Useful for a second opinion, a plot detail, or working out which cut you are holding.

The whole shelf

Filter these →
Sleeve art for A Dark SongWATCHcult

A Dark Song

2016 · Ireland/UK · 100m

A grieving mother and an occultist doing a months-long ritual properly. The tedium is deliberate.

Sleeve art for AlucardaWATCHcult

Alucarda

1977 · Mexico · 85m

Mexican nunsploitation with an actual argument, and everybody in it screams for eighty minutes.

Sleeve art for Black SundayWATCHknown

Black Sunday

1960 · Italy · 87m

Bava could not afford colour and made the best-looking gothic ever shot. Barbara Steele's face did the rest.

Sleeve art for HellbenderWATCHobscure

Hellbender

2021 · USA · 86m

Made by one family during lockdown for almost nothing, and it looks better than films with fifty times the budget.

Sleeve art for HereditaryWATCHcanon

Hereditary

2018 · USA · 127m

A film about grief that turns out to be a film about a cult. Toni Collette should have won everything.

Sleeve art for InfernoWATCHknown

Inferno

1980 · Italy · 107m

The Suspiria sequel. Less coherent, more beautiful, and has the best underwater sequence Argento shot.

Sleeve art for Night of the DemonWATCHknown

Night of the Demon

1957 · UK · 95m

The runic parchment, the smoke on the railway line, and a monster the producer added against the director's wishes.

Sleeve art for SuspiriaWATCHcanon

Suspiria

2018 · USA/Italy · 152m

Not a remake so much as an argument with the original. Colder, longer, and about postwar German guilt.

Sleeve art for The Devilsknown

The Devils

1971 · UK · 111m

Ken Russell's best film, cut in every territory it has ever played, and still not properly released.

Sleeve art for Twins of EvilWATCHknown

Twins of Evil

1971 · UK · 87m

Peter Cushing as a witch-hunter who is worse than the vampires, and the Collinson twins were Playboy's first.

Sleeve art for ViyWATCHknown

Viy

1967 · SU · 78m

The only horror film made in the Soviet Union, and the last twenty minutes are extraordinary.

Sleeve art for WeaponsWATCHcanon

Weapons

2025 · USA · 128m

Seventeen children leave their houses at 2.17am. Cregger structures it as overlapping chapters and it pays off.