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1922 onward · 24 films

Vampire

The most adaptable monster in the genre, and the only one that gets invited in.

The vampire survives because it can carry almost any subtext without breaking. Disease, class, addiction, sex, immigration, grief: put it on the vampire and the vampire still works as a monster.

Murnau steals it

Nosferatu (1922) is an unlicensed Dracula. Stoker's widow sued, won, and had the negatives ordered destroyed. Prints survived, which is the only reason the most influential vampire film ever made still exists. Max Schreck's Orlok is rat-like rather than aristocratic, and the film invented the idea that sunlight kills, which is not in the novel.

The lyrical strand

Dreyer's Vampyr (1932) barely has a plot and is one of the most unnerving films of the era, largely because of a soft-focus process Dreyer achieved by shooting through gauze. Later the same instinct produces Daughters of Darkness (1971) and Jean Rollin's entire career: films where atmosphere has completely replaced incident.

The demystifiers

The best modern vampire films strip the romance out. Romero's Martin (1977) is about a boy who may simply be a disturbed teenager with razor blades. Near Dark (1987) makes them a violent family in a camper van. Let the Right One In (2008) makes the horror the grooming of a lonely child by something very old.

The problem

Vampires are also the genre's softest option, and the 1990s onward proved it. Once the monster is handsome and conflicted it stops being a monster. The films worth watching either keep it ugly or keep it hungry.

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The whole shelf

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Sleeve art for AbigailWATCHknown

Abigail

2024 · USA

A kidnapping that goes wrong in the most enjoyable way. Very wet, very fast, very funny.

Sleeve art for CronosWATCHknown

Cronos

1993 · Mexico · 94m

Del Toro's first film, and the vampire is a grandfather trying to stay with his granddaughter.

Sleeve art for Daughters of DarknessWATCHcult

Daughters of Darkness

1971 · France/Germany · 100m

Elizabeth Báthory in an empty Ostend hotel out of season, and it is the most elegant vampire film ever made.

Sleeve art for DraculaWATCHcanon

Dracula

1931 · USA · 75m

Stagey, slow, and it has no score at all. Lugosi's face is the entire reason it survives.

Sleeve art for Fright NightWATCHcanon

Fright Night

1985 · USA · 103m

A teenager works out his new neighbour is a vampire and no adult will believe him, so he hires a washed-up TV host.

Sleeve art for Horror of DraculaWATCHcanon

Horror of Dracula

1958 · UK · 85m

Christopher Lee plays Dracula as a physical threat rather than a foreign gentleman, and it is over in 82 minutes.

Sleeve art for LifeforceWATCHknown

Lifeforce

1985 · UK/Australia · 116m

Tobe Hooper's space-vampire epic, adapted from Colin Wilson, and it is completely insane in the best way.

Sleeve art for Mr. VampireWATCHknown

Mr. Vampire

1985 · HK · 96m

Hopping Chinese vampires, a Taoist priest, and sticky rice as a medical treatment. It invented a whole genre.

Sleeve art for NosferatuWATCHcanon

Nosferatu

2024 · USA · 143m

Eggers going back to Murnau rather than to Stoker. Filthy, plague-ridden, and Orlok has a moustache.

Sleeve art for RenfieldWATCHcanon

Renfield

2023 · USA · 93m

Nicolas Cage plays Dracula as a toxic boss, and his familiar wants to leave the relationship. A horror comedy about codependency.

Sleeve art for SinnersWATCHcanon

Sinners

2025 · USA · 137m

Coogler in 1932 Mississippi with twin Michael B. Jordans and a juke joint. Shot on 65mm and it shows.

Sleeve art for The Lost BoysWATCHcanon

The Lost Boys

1987 · USA · 97m

Joel Schumacher's MTV vampires in a California beach town, and it made the genre cool for a decade.

Sleeve art for ThirstWATCHknown

Thirst

2009 · South Korea · 133m

A priest volunteers for a vaccine trial, dies, and comes back needing blood. Park Chan-wook adapting Zola.

Sleeve art for Twins of EvilWATCHknown

Twins of Evil

1971 · UK · 87m

Peter Cushing as a witch-hunter who is worse than the vampires, and the Collinson twins were Playboy's first.

Sleeve art for Vampire CircusWATCHknown

Vampire Circus

1972 · UK · 87m

A plague-quarantined village visited by a travelling circus, and it is the strangest film Hammer made.