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A vegetarian vet student develops an appetite. Julia Ducournau's debut and a genuine coming-of-age film.
486 entries, from the 1931 Universal cycle to last year. Curated, not exhaustive: a short shelf of things worth knowing about beats a long one nobody can navigate.
57 films · page 2 of 2
A vegetarian vet student develops an appetite. Julia Ducournau's debut and a genuine coming-of-age film.
The funniest Lovecraft adaptation ever made, which is not what anybody expected.
Everybody remembers the head. The film underneath is about a pharmaceutical company and a custody dispute.
The film that made Hammer, made in colour, with blood that looks like blood.
Predicted most of what people now say about the internet, using a Betamax slot in a man's stomach.
A surgeon steals faces for his disfigured daughter. Filmed with a tenderness that makes it far worse.
Not a remake so much as an argument with the original. Colder, longer, and about postwar German guilt.
Jeremy Irons plays twin gynaecologists who share everything, and Cronenberg's coldest, saddest film.
Tod Browning cast real sideshow performers, MGM cut a third of it, and it ended his career.
Clive Barker adapting his own novella, and the Cenobites are on screen for about eight minutes.
Won the Palme d'Or. A film about a woman, a car and a grieving fireman, and it is not a comedy.
A haunted house film in space, hated on release, and the studio destroyed roughly thirty minutes of it.
Fede Alvarez taking the franchise back to basics: young colonists, a derelict station, and one very bad idea.
Almodóvar's only horror film, and it is a revenge story disguised as a mad-scientist melodrama.
Under the effects it is a film about watching someone you love get a terminal illness, and Goldblum plays it that way.
Five years of weekend shooting, and it is about being a father and being terrified of it.
Karloff in Jack Pierce's makeup, and the flat head is a copyrighted design rather than anything from the novel.
Body horror about how the industry treats women over fifty, with Demi Moore doing the bravest work of her career.
A haunted house film in space, and the crew are contractors arguing about bonuses.
Won the screenplay Oscar, which horror never does. The sunken place is the best new image in the genre this century.
Flopped, was called empty and disgusting, and is now the most imitated horror film of its decade.