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The films

486 entries, from the 1931 Universal cycle to last year. Curated, not exhaustive: a short shelf of things worth knowing about beats a long one nobody can navigate.

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57 films · page 2 of 2

Sleeve art for Dead SnowWATCHknown

Dead Snow

2009 · Norway · 90m

Nazi zombies in the Norwegian mountains, and it knows exactly how silly it is.

Sleeve art for The Devil's BackboneWATCHknown

The Devil's Backbone

2001 · Spain/Mexico · 106m

Del Toro's other Spanish Civil War film, and he has called it the companion to Pan's Labyrinth.

Sleeve art for Dog SoldiersWATCHcanon

Dog Soldiers

2002 · UK · 100m

A squad on exercise in the Highlands versus werewolves, and it is closer to a war film than to horror.

Sleeve art for MartyrsWATCHcanon

Martyrs

2008 · Canada/France · 95m

Two films stapled together, and it takes its argument about suffering completely seriously.

Sleeve art for Let the Right One InWATCHcanon

Let the Right One In

2008 · Sweden · 110m

The horror is the grooming of a lonely child by something very old, and the film is clear about it.

Sleeve art for RECWATCHcanon

REC

2007 · Spain · 75m

A Barcelona apartment block, a news crew, and eighty minutes with no let-up.

Sleeve art for The HostWATCHcanon

The Host

2006 · South Korea · 119m

Opens with a real incident: formaldehyde poured into the Han river in 2000. Funny, which nothing else here manages.

Sleeve art for The OrphanageWATCHcanon

The Orphanage

2007 · Spain/Mexico · 101m

Produced by del Toro, and it is a film about a mother rather than a house.

Sleeve art for The DescentWATCHcanon

The Descent

2005 · UK · 99m

Six women, an uncharted cave, and a group dynamic already poisoned before anything goes wrong.

Sleeve art for 1408WATCHcanon

1408

2007 · USA/UK · 106m

John Cusack alone in a hotel room for most of the running time, and it is the best single-location King film.

Sleeve art for IrréversibleWATCHcanon

Irréversible

2002 · France · 97m

Runs backwards and uses infrasound to make you physically unwell. About 200 walked out at Cannes.

Sleeve art for The MistWATCHcanon

The Mist

2007 · USA · 126m

Frank Darabont's third King adaptation, and the ending he changed is one of the cruellest in cinema.

Sleeve art for Wrong TurnWATCHcanon

Wrong Turn

2003 · Canada/Germany · 84m

Competent, well shot, and exactly what it says. Stan Winston did the mutants.

Sleeve art for Battle RoyaleWATCHcanon

Battle Royale

2000 · Japan · 113m

A class of Japanese schoolchildren are dropped on an island and made to kill each other. Kinji Fukasaku's last major film.

Sleeve art for CloverfieldWATCHcanon

Cloverfield

2008 · USA · 85m

A monster attacks New York, filmed on a camcorder from street level, and the marketing invented a genre of mystery.

Sleeve art for The OthersWATCHcanon

The Others

2001 · USA/Spain · 101m

A twist that survives a second viewing, which is rarer than it sounds.

Sleeve art for 28 Days LaterWATCHcanon

28 Days Later

2002 · UK · 113m

Shot on DV, made them fast, and restarted the whole genre for fifteen years.

Sleeve art for OldboyWATCHcanon

Oldboy

2003 · South Korea/Japan · 116m

A man is imprisoned in a room for fifteen years with no explanation, released, and given five days to find out why.

Sleeve art for SawWATCHcanon

Saw

2004 · USA · 103m

Two men chained in a bathroom, made for 1.2 million dollars in eighteen days, and it is far better than its franchise.