Renfield
Nicolas Cage plays Dracula as a toxic boss, and his familiar wants to leave the relationship. A horror comedy about codependency.
486 entries, from the 1931 Universal cycle to last year. Curated, not exhaustive: a short shelf of things worth knowing about beats a long one nobody can navigate.
53 films · page 2 of 2
Nicolas Cage plays Dracula as a toxic boss, and his familiar wants to leave the relationship. A horror comedy about codependency.
A surgeon steals faces for his disfigured daughter. Filmed with a tenderness that makes it far worse.
A teenager works out his new neighbour is a vampire and no adult will believe him, so he hires a washed-up TV host.
Produced by del Toro, and it is a film about a mother rather than a house.
Christopher Lee plays Dracula as a physical threat rather than a foreign gentleman, and it is over in 82 minutes.
Most werewolf folklore you think is ancient was invented for this script in 1941.
Tod Browning cast real sideshow performers, MGM cut a third of it, and it ended his career.
Joel Schumacher's MTV vampires in a California beach town, and it made the genre cool for a decade.
Shot on black and white 35mm in a 1.19:1 box. Two men, a rock, and a great deal of drinking.
The Universal cycle's best film. Whale is openly funny and openly on the monster's side.
Del Toro doing full gothic romance. The house is the best thing in it and it is sinking.
Grief, Venice, and an edit that keeps showing you the ending before you can read it.
Eggers going back to Murnau rather than to Stoker. Filthy, plague-ridden, and Orlok has a moustache.
Stagey, slow, and it has no score at all. Lugosi's face is the entire reason it survives.
A twist that survives a second viewing, which is rarer than it sounds.
Karloff in Jack Pierce's makeup, and the flat head is a copyrighted design rather than anything from the novel.
An illegal Dracula that survived a court order to burn it. Still the best-looking vampire film.