Nope
Peele's best-looking film. About spectacle, and about what happens to the people who handle the animals.
486 entries, from the 1931 Universal cycle to last year. Curated, not exhaustive: a short shelf of things worth knowing about beats a long one nobody can navigate.
47 films · page 2 of 2
Peele's best-looking film. About spectacle, and about what happens to the people who handle the animals.
Shot on black and white 35mm in a 1.19:1 box. Two men, a rock, and a great deal of drinking.
A haunted house film in space, hated on release, and the studio destroyed roughly thirty minutes of it.
The best paranoia film ever made, and it works whichever politics you bring to it.
Frank Darabont's third King adaptation, and the ending he changed is one of the cruellest in cinema.
Carpenter's angriest film, disguised as a B-movie, about sunglasses that let you see the ads underneath everything.
No villain at all, only a process. The last twenty minutes are the closest film has come to Lovecraft.
A serious film about the atomic bomb with a man in a suit in it, and the American recut removed most of what mattered.
A machine for explaining why every other film on this site is shaped the way it is.
A haunted house film in space, and the crew are contractors arguing about bonuses.
Flopped, was called empty and disgusting, and is now the most imitated horror film of its decade.